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WHY DID JESUS HAVE TO DIE?

Fresh thoughts about a question the world never tires of asking.

Yes, Jesus had to die, but not for the reason Christians have traditionally been led to believe, according to this insightful theology book.

Geologist Conrad leads an expedition through key events in the Old Testament to show that God pointed to his plan for the world’s salvation from the beginning of time. Often, Christians are taught that Jesus died to pay the penalty for human sin that began in the Garden of Eden, but the author says it’s misguided to focus on the disobedience that resulted in sin. “[S]in isn’t just an action; it begins in the mind with a corrupt concept of what God is like,” he writes. Adam and Eve breached God’s trust, and it was this lack of trust in a good God, not the disobedience itself, that was the problem, Conrad believes. It’s not mere theological hairsplitting, and he makes the case that God wants to preserve rather than limit our freedom. Conrad credits Dr. Graham Maxwell as the source of many of the ideas contained in the book and calls his view of why Jesus died the Great Controversy-Demonstration Model, which he uses to present Jesus’ death as the greatest example of the lengths to which God will go to demonstrate how much he loves the world and desires a relationship with everyone in it. Conrad says it’s important to understand that God isn’t “an executioner.” The Romans, he believes, were kinder and more compassionate than the Jews, who followed God. “Is it any wonder that today the secular and nonchurched can be nicer people than those who go to church and have a harsh picture of God?” he asks. It’s a great question. Despite occasional typos, the writing is intelligent and accessible, and some complex theology is explained well. Several examples of the Great Controversy-Demonstration Model are dry reading, but the book would still be ideal for discussion in a Sunday school class or Bible study.

Fresh thoughts about a question the world never tires of asking.

Pub Date: June 9, 2014

ISBN: 978-1483409405

Page Count: 236

Publisher: Lulu

Review Posted Online: Feb. 6, 2022

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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