by A.J. Liebling ‧ RELEASE DATE: May 1, 1981
The best thing to come out of Raymond Sokolov's fussy biography of A.J. Liebling, Wayward Reporter (1980), may be the republication, in one volume, of Francophile Liebling's four books of diverse encounters with the French—French generals being of no less "obsessional interest" to him than French restaurants. Briefly but serviceably introduced by Sokolov, they comprise the two books of wartime New Yorker dispatches—on "fighting, politics, and peasantry"—The Road Back to Paris and Mollie & Other War Pieces; Normandy Revisited (1958), which takes the middle-aged Liebling, in a chauffeured car, back to the scenes of his student days and his wartime engagements; and Between Meals (1962), subtitled "An Appetite for Paris" and a non pareil celebration of oysters and wine, chefs and proprietors—from childhood. The exuberance, the feeling for place and character, the attention to "rudimentary things"—and always the unexpected word, the edged phrase—continue to delight and astonish.
Pub Date: May 1, 1981
ISBN: 0872236439
Page Count: 672
Publisher: Playboy Press
Review Posted Online: May 18, 2012
Kirkus Reviews Issue: May 1, 1981
Categories: GENERAL NONFICTION
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More by James Barbour
BOOK REVIEW
edited by James Barbour & Fred Warner & by A.J. Liebling
BOOK REVIEW
BOOK REVIEW
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Categories: GENERAL NONFICTION
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by Bob Thiele with Bob Golden ‧ RELEASE DATE: May 1, 1995
Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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