A compelling premise that suffers from a lack of balance and an underdeveloped plot.
A young boy and his family survive nuclear apocalypse in their underground bunker in Powell’s (Doomsday Diaries IV, 2012) first offering in a dystopian series.
On a seemingly normal day, 13-year-old Luke starts his home-schooled day with Dad, learning about world religions and self-defense techniques. Before lunchtime rolls around, he’s in the family jeep racing toward their secret bunker after they learn of nuclear attacks in New York and an imminent attack in nearby Austin, Texas. They escape annihilation by minutes. What follows is an account of life inside the bunker, where Luke and his parents live for almost five years before they’re forced outside due to a dwindling cache of supplies. The novel suffers in several key ways. A little over half of the 135-page story is written in a series of journal entries from Luke’s perspective, which sketches a smooth yet superficial glance of day-to-day activities in the shelter, from the boring freeze-dried meals to the combat and firearm drills Luke’s dad thinks are necessary in their new life. The prose tends to be light on both substance and the creativity often found in its genre counterparts. However, the plot really picks up when the family decides to leave the shelter. Unsure of what they’ll encounter, they’re taken aback by what they find: A structure has been built around their bunker, and they’re almost immediately met by an official of the “New World Order.” The novel then moves quickly into the sci-fi realm, with futuristic military suits and a secret facility that reassigns peoples’ identities. Luke is transported to a location where teenagers are programmed to engage in sexual activities in order to repopulate civilization. Most of the novel’s substance can be found here, but it’s a bit too much action for a little over 60 pages. This rushed section feels implausible and out of place in comparison to the novel’s rather pedestrian beginning.
A compelling premise that suffers from a lack of balance and an underdeveloped plot.Pub Date: June 17, 2012
ISBN: 978-1478101741
Page Count: 138
Publisher: CreateSpace
Review Posted Online: Dec. 28, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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