by Aaron Tillman ‧ RELEASE DATE: July 11, 2017
Lively, varied tales that incisively showcase the trickiness of contemporary life.
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In this debut collection, the characters navigate careers, relationships, and religious angst in 14 short stories alternating between realism and whimsy.
Many of the author’s protagonists are entitled young men whose supposed problems overlay their privilege—or, in short bursts of magic realism, point to absurdities in modern life. In the title story (named after a Jack White lyric), the narrator can’t help but deliver electric shocks; does his condition make him a danger or a would-be superhero? He meets someone who’s willing to take a chance that his electricity might sometimes be healing rather than harmful. Two of the best tales, “Smiling” and “The B’Jesus,” similarly imagine guys isolated by difference: one whose inability to stop smiling loses him his girlfriend and his job; and another who has worn an old homunculus on his back since he “scared” it out of Great Aunt “Early” Earlene. Elsewhere, religion is the source of inner turmoil. In “The Great Salt Lake Desert,” Ian’s composure is imperiled after he loses his virginity to a lapsed Mormon and encounters the Sodom and Gomorrah story in a Gideon Bible. Likewise, in “Heeding Doctor Eisner,” the overall standout, the Nabokov-ian narrator, an adjunct sociology professor, is so rattled by a Hispanic “preacher” on a train that he enacts his own version of hellfire. Judaism is a recurring point of reference, often as a stricture to be transcended, as when the kids of “High Holy Days” find small, cheeky ways to defile the synagogue—a reminder that “holiness wasn’t only in the sanctuary.” Premature births, mental illness, new media, and freeloading are central concerns in other tales in this skilled collection (most of the stories were previously published in literary magazines). “Vacancy,” about a teenager who unwittingly inspires a punk band’s new song, is the one piece that doesn’t seem to fit. Tillman (English, Newbury College) writes a terrific first line (“I was ten years old when the neighbors called the police to extinguish the Holy Sock Fire my mother had started in the parking lot of our building”). But his sometimes-inconclusive endings are a mite less successful.
Lively, varied tales that incisively showcase the trickiness of contemporary life.Pub Date: July 11, 2017
ISBN: 978-0-9989667-0-0
Page Count: 190
Publisher: Braddock Avenue Books
Review Posted Online: Sept. 15, 2017
Kirkus Reviews Issue: Oct. 15, 2017
Review Program: Kirkus Indie
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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SEEN & HEARD
by Rattawut Lapcharoensap ‧ RELEASE DATE: Jan. 1, 2005
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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