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ASK ME ABOUT MY UTERUS

A QUEST TO MAKE DOCTORS BELIEVE IN WOMEN'S PAIN

Disturbing but important reading.

A science writer’s account of her frustrating experiences with the medical establishment as she tried to understand an illness that defied easy explanation and diagnosis.

Futurism associate science editor Norman is nothing if not a survivor. She overcame dysfunctional family circumstances to become an emancipated minor at age 16 and attend Sarah Lawrence College on a prestigious scholarship two years later. However, one day during her freshman year, she was hit with pain so debilitating that she was forced to leave school permanently. The first (male) doctor she saw assumed she was just another “bright and wound tight” college girl whose problem “was of a sexual nature.” He dismissed her with prescriptions for antibiotics and advice to drink lots of cranberry juice. Soon after, Norman began in-depth research—which she presents throughout the book—on female health issues. She discovered that her struggles to be taken seriously for extreme pain were actually a legacy of “the medicalization of female internal sensations, which began as early as the 1800s.” Feeling powerless to question the all-male medical establishment, women “[began] to question their reality,” much as the author started to do in the face of doctors that implied her problems, which included heavy, fatiguing menstrual cycles and, later, painful sex, were imagined. Eventually—and thanks to Norman’s tireless self-advocacy—doctors correctly diagnosed her with endometriosis, a condition in which “displaced uterine tissue” caused painful lesions on other internal organs. Interviews with experts and continued self-education on the topic showed Norman that, contrary to popular conception, endometriosis was not just a “female disease” or a “period problem” and had also been found in men. Compelling and impressively researched, Norman’s narrative not only offers an unsparing look at the historically and culturally fraught relationship between women and their doctors. It also reveals how, in the quest for answers and good health, women must still fight a patriarchal medical establishment to be heard.

Disturbing but important reading.

Pub Date: March 6, 2018

ISBN: 978-1-56858-581-9

Page Count: 288

Publisher: Nation Books

Review Posted Online: Dec. 4, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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