by Elie Wiesel ; translated by Marion Wiesel ‧ RELEASE DATE: Sept. 12, 2017
Wiesel’s memoir, first published in English in 1960, has emerged as a classic work of literature from that darkest of eras,...
A reissue of Wiesel’s (Open Heart, 2012, etc.) foundational, exemplary memoir of the Holocaust.
Even though bracketed by post-mortem appreciations by Barack Obama, genocide scholar and former U.N. ambassador Samantha Power, and Wiesel’s son Elisha and including Wiesel’s Nobel Prize acceptance speech and lecture and a commemorative address before the U.N., Night is a slender book, just a shade more than 100 pages long. But it packs a whole world—perhaps better, a whole inferno—into that brief span, much trimmed from a draft reported to be eight times longer. As the memoir opens, Wiesel is a schoolboy in a Transylvanian town, studying with a wise scholar named Moishe the Beadle, who liked to say, “Man comes closer to God through the questions he asks Him.” The great question that emerges as events sweep in, brought to Sighet on German troop transports and Hungarian police vans, is, of course, why? No fully satisfactory answer ever emerges from Wiesel’s tour of the hell that ensues, as the ghetto—“ruled by neither German nor Jew; it was ruled by delusion”—gives way to the concentration camp and its endless brutalities, administered by Germans and kapos alike. As he recounts the flight before the advancing Red Army deep into a collapsing Germany, Wiesel draws on the voices of many of his fellow inmates, one of whom memorably says of Adolf Hitler, “he alone has kept his promises, all his promises, to the Jewish people.” Only the promise of utter extermination goes unfulfilled, leaving the author to contemplate the dead man walking that he has become when the camp is finally liberated: “The look in his eyes as he gazed at me has never left me.”
Wiesel’s memoir, first published in English in 1960, has emerged as a classic work of literature from that darkest of eras, and it deserves to be read and reread for decades to come.Pub Date: Sept. 12, 2017
ISBN: 978-0-374-22199-7
Page Count: 176
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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SEEN & HEARD
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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New York Times Bestseller
Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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