Wiesel’s memoir, first published in English in 1960, has emerged as a classic work of literature from that darkest of eras,...
by Elie Wiesel ; translated by Marion Wiesel ‧ RELEASE DATE: Sept. 12, 2017
A reissue of Wiesel’s (Open Heart, 2012, etc.) foundational, exemplary memoir of the Holocaust.
Even though bracketed by post-mortem appreciations by Barack Obama, genocide scholar and former U.N. ambassador Samantha Power, and Wiesel’s son Elisha and including Wiesel’s Nobel Prize acceptance speech and lecture and a commemorative address before the U.N., Night is a slender book, just a shade more than 100 pages long. But it packs a whole world—perhaps better, a whole inferno—into that brief span, much trimmed from a draft reported to be eight times longer. As the memoir opens, Wiesel is a schoolboy in a Transylvanian town, studying with a wise scholar named Moishe the Beadle, who liked to say, “Man comes closer to God through the questions he asks Him.” The great question that emerges as events sweep in, brought to Sighet on German troop transports and Hungarian police vans, is, of course, why? No fully satisfactory answer ever emerges from Wiesel’s tour of the hell that ensues, as the ghetto—“ruled by neither German nor Jew; it was ruled by delusion”—gives way to the concentration camp and its endless brutalities, administered by Germans and kapos alike. As he recounts the flight before the advancing Red Army deep into a collapsing Germany, Wiesel draws on the voices of many of his fellow inmates, one of whom memorably says of Adolf Hitler, “he alone has kept his promises, all his promises, to the Jewish people.” Only the promise of utter extermination goes unfulfilled, leaving the author to contemplate the dead man walking that he has become when the camp is finally liberated: “The look in his eyes as he gazed at me has never left me.”
Wiesel’s memoir, first published in English in 1960, has emerged as a classic work of literature from that darkest of eras, and it deserves to be read and reread for decades to come.Pub Date: Sept. 12, 2017
ISBN: 978-0-374-22199-7
Page Count: 176
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: July 17, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL HISTORY | GENERAL BIOGRAPHY & MEMOIR
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BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel
BOOK REVIEW
by Elie Wiesel & translated by Catherine Temerson
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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BOOK TO SCREEN
by Glennon Doyle ‧ RELEASE DATE: March 10, 2020
More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | SELF-HELP
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