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Sardar

FROM AFGHANISTAN'S GOLDEN AGE TO CARNAGE

An emotionally arresting, thoughtful account about the soul of Afghanistan.

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A memoir of a man who grew up in Afghanistan, left for 30 years and returned to help after the country was ravaged by war.

Debut author Sharif departed Afghanistan in 1976 for an education abroad and didn’t come back until three decades had passed. After the U.S. invasion of the country following the tragic events of Sept. 11, 2001, Sharif joined a special State Department program to become a diplomat, which in turn led him back to Kabul. However, he found Afghanistan all but unrecognizable, torn asunder by war, tribal conflict and a Taliban hellbent on thwarting the establishment of a stable democracy. The book is a series of letters he wrote to family and friends while on assignment in Afghanistan between 2009 and 2011. The epistles are bittersweet, enlivened by the author’s joy at finally returning to the place of his birth but also darkened by his realizations that the object of his fond remembrances was now plagued by strife. In one particularly poignant passage, Sharif recounts meeting a barber who turned out to be the grandson of the barber who cut the author’s hair when he was a young child. Interspersed among such personal recollections are meditations on the principal sources of Afghanistan’s troubles and what strategies could conceivably bring relief. He also provides a running commentary on other subjects, such as the core principles of “Pomegranate Diplomacy,” Muslim dietary restrictions, and important but elusive cultural terms and practices. Along the way, Sharif often writes elegiacally about his country: “It is certainly a tall order and a pipe dream on my part to want to restore the current society to some semblance of Afghanistan’s forgotten Golden Era.” The book closes with an epilogue in which the author reflects on the death of his father and, by extension, the decline of his homeland.

An emotionally arresting, thoughtful account about the soul of Afghanistan.

Pub Date: July 17, 2014

ISBN: 978-1499388305

Page Count: 176

Publisher: CreateSpace

Review Posted Online: Aug. 26, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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