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OLIVE WITCH

A MEMOIR

A quietly moving memoir.

A Nigerian-born Bangladeshi writer/photographer’s memoir about growing up in Nigeria and America and the inner turmoil she faced while coming to terms with her multicultural heritage.

In 1972, just a year after Bangladesh gained independence, Hoque’s (The Lovers and the Leavers, 2015, etc.) parents immigrated to Africa to live in the small town of Nssuka. The author was born soon after and became the family’s “Nigerian baby.” While her scientist father worked at the local university, Hoque grew up immersed in Nigerian culture and even gave herself an Igbo name, Ngozi. But political instability caused the family to leave Nssuka permanently when Hoque was 13. They settled in Pittsburgh, a city where Hoque’s father had once spent a sabbatical year and where her youngest brother was born. Her transition to the U.S. was traumatic, yet within six months of arriving, no one could tell that she had not grown up “in middle America, going to summer camp, and watching bubble gum TV.” Hoque excelled in school, just as her ambitious parents—and especially her father—desired. A breakdown in the middle of her doctorate program at the University of Pennsylvania's Wharton School of Business brought Hoque a greater awareness of the many personal, academic, and cultural stresses that had defined her life and her need to make sense of a fractured self. After a stint in an MFA program in San Francisco, Hoque traveled to Bangladesh, where she felt alienated despite the fact that “everyone looked like me.” Yet within this space of disconnection, she began to find healing, especially after her father’s revelation that he had once prepared for a literary career and even published a novel. Always aware of language and its limitations in fully fleshing out a life lived across cultures, Hoque charts a remarkably intercontinental journey of personal discovery while celebrating hard-won lessons of self-acceptance.

A quietly moving memoir.

Pub Date: Feb. 7, 2017

ISBN: 978-9-35-177700-7

Page Count: 256

Publisher: Harper360

Review Posted Online: Nov. 14, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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