A vividly visual interpretation of a still-momentous speech.
Only a few presidential quotes or speeches have outlasted the test of time, and Lincoln’s Gettysburg Address is probably the most famous and most significant.
Originally published in 1947, this pictorial version has been updated with a new afterword by Gabor Boritt, a Civil War scholar, in time for the 150th anniversary of the speech. The original illustrations by Daugherty are brightly hued and hewn and dramatize the 15 sentences of Lincoln’s speech with great vigor in a style evocative of Depression-era WPA murals. In another picture-book depiction, Michael McCurdy’s black-and-white engravings (1995) contrast sharply and are forcefully composed, alternating between the action of battle and the quiet artifacts left behind. Daugherty’s heroic tableaux attack the emotions with highly symbolic imagery. “A new nation conceived in liberty” depicts two men, black and white, raising a flag while another white man unshackles a beaten, scarred slave; on the right, a woman, her children and her frontiersman husband look on; above all, a bald eagle flies into the sun. The typeface accompanying Daugherty’s art is large and stately, resembling chiseled letters and matching the text. In a valuable, additional feature following the afterword, 15 small-scale reproductions of Daugherty’s interpretations appear above explanations of the imagery in each one.
A vividly visual interpretation of a still-momentous speech. (reproduction of handwritten speech) (Picture book. 7 & up)Pub Date: Feb. 1, 2013
ISBN: 978-0-8075-4550-8
Page Count: 48
Publisher: Whitman
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
BOOK REVIEW
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
PROFILES
Falters in its oversimplified portrayal of a complicated region and people.
Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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