A beautiful, powerful reflection on a tragic history.

ON THE HORIZON

In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima. 

When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.

A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)

Pub Date: April 7, 2020

ISBN: 978-0-358-12940-0

Page Count: 80

Publisher: HMH Books

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Noncanonical entries make this a natural companion or follow-up for Kathleen Krull’s essential Lives of the Artists,...

KID ARTISTS

TRUE TALES OF CHILDHOOD FROM CREATIVE LEGENDS

From the Kid Legends series , Vol. 3

For budding artists, here’s a heartening reminder that 17 unconventional greats—not to mention all the rest—started out as children too.

The pseudonymous Stabler (Robert Schnakenberg in real life) adopts a liberal admissions policy for his latest gathering of anecdotal profiles (Kid Presidents, 2014, etc.). In a chapter on the influence of nature and wildlife on early artistic visions, Leonardo da Vinci and the young Vincent van Gogh rub shoulders with Beatrix Potter and Emily Carr; in another focusing on overcoming shyness or other personal, social, or economic obstacles, Jackson Pollock hangs out with Charles Schulz, Yoko Ono, and Jean-Michel Basquiat. In a third chapter that highlights the importance of a supportive parent, teacher, or other cheerleader, fathers do for prodigious young Pablo Picasso and polio-stricken Frida Kahlo, his mother for Andy Warhol, art instructors for Jacob Lawrence and Keith Haring. The author owns an easy, readable style, and though he leaves out quite a lot—Diego Rivera goes unmentioned in the Kahlo entry, nor do van Gogh’s suicide, Basquiat’s heroin addiction, or anyone’s sexual orientation come up—he’s chosen his subjects with an eye toward diversity of background, upbringing, and, eventually, style and media. Horner lightens the overall tone further with cartoon vignettes of caricatured but recognizable figures.

Noncanonical entries make this a natural companion or follow-up for Kathleen Krull’s essential Lives of the Artists, illustrated by Kathryn Hewitt (1995). (bibliography) (Collective biography. 10-13)

Pub Date: Aug. 9, 2016

ISBN: 978-1-59474-896-7

Page Count: 208

Publisher: Quirk Books

Review Posted Online: April 13, 2016

Kirkus Reviews Issue: May 1, 2016

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Suspenseful, fast-paced, and brief enough to engage even reluctant readers.

ALONE

Freeman’s middle-grade debut starts with a wallop and carries on from there.

Twelve-year-old Madeleine Albright Harrison is inadvertently left behind when her whole region is abruptly evacuated in the night. Although there had been hints of unrest, she has no real idea why everyone left or when—perhaps if—they’ll ever come back. At first, there’s still electricity and running water, but as days turn into weeks and then months, utilities fail, and Madeleine comes to realize that she’s truly on her own. A Colorado winter will be coming soon enough. After rescuing a neighbor’s dog, her only companion, she becomes increasingly sophisticated in her survival efforts, collecting food and water, learning how to light a fire in her father’s woodstove and, bicycle helmet secured in place, teaching herself to drive a car. Not everything works. At one point she encounters but evades a vicious group of looters. Later she survives both a tornado and a wildfire that sweeps through her neighborhood. But it’s loneliness that becomes her greatest enemy and books from the local library that ultimately sustain her. Madeleine relates her own riveting, immersive story in believable detail, her increasingly sophisticated thoughts, as years pass, sweeping down spare pages in thin lines of verse in this Hatchet for a new age. Characters default to White.

Suspenseful, fast-paced, and brief enough to engage even reluctant readers. (Verse novel. 11-14)

Pub Date: Jan. 12, 2021

ISBN: 978-1-5344-6756-9

Page Count: 416

Publisher: Aladdin

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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