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MY OWN COUNTRY

A DOCTOR'S STORY OF A TOWN AND ITS PEOPLE IN THE AGE OF AIDS

A grim reproof to all who want to deny that AIDS has arrived in America's heartland. For five years in the late 1980s, Verghese was an infectious- diseases specialist in Johnson City, a town in northeastern Tennessee; in that time he saw his AIDS patient load soar from 1 to more than 80. AIDS was brought to Johnson City by way of New York, San Francisco, Miami, and elsewhere by prodigal gay sons who, after a few years of freedom, returned home to die. It was brought by way of a truck stop on the interstate where gay locals congregated for anonymous sex. It was brought by way of transfusions of tainted blood. With the observant—but never dispassionate—eye of the clinician, Verghese notes everything about the remarkable, varied patients who seek his help, including: Will Johnson, a Bible Belt entrepreneur who believes AIDS comes from Satan; Luther Hines, whose bitter rage keeps him alive while his body is consumed by tuberculosis, candidiasis, and other infections; Vickie McCray, who faithfully cares for the unfaithful husband who infected her as he sinks into AIDS dementia. Verghese leaves nothing to the imagination as he describes the gruesome effects of the opportunistic infections that attack those with AIDS. He surprises us with unpredictable instances of compassion (friends changing diapers on a man with uncontrollable diarrhea) and cruelty (from members of the medical profession). But this is also Verghese's personal story, which dovetails with that of his patients. As a foreign-born doctor of Indian descent tending outcast patients, he too was a bit of an outsider in rural Tennessee. He is touchingly honest about his own flaws and about the strain his all-consuming medical practice placed on his marriage. Verghese, who has written for the New Yorker and other publications, offers a powerful testimony to the courage of those who live and die with AIDS and of those who care for them. (Book- of-the-Month Club alternate selection; Quality Paperback Book Club alternate selection; author tour)

Pub Date: May 1, 1994

ISBN: 0-671-78514-1

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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