Perfect reading for socially distanced shut-ins who’ll be pleased to learn that things could indeed be much, much worse.
Tibbehah County Sheriff Quinn Colson’s 10th appearance finds him hard-pressed to keep his patch of Mississippi in line after his near-fatal shooting in The Shameless (2019) sidelines him in favor of an acting sheriff who’s worse than no help at all.
How much worse? Well, when Quinn’s 12-year-old nephew, Jason, goes AWOL along with his schoolmate Ana Gabriel Hernandez-Ramirez to accept an unsavory invitation to follow the trail of Ana’s mother, one of 53 undocumented workers from the local chicken processing plant rounded up by U.S. Immigration and Customs Enforcement, Brock Tanner won’t issue an Amber Alert. It’s clear that Tanner is uncomfortably cozy with grasping madam Fannie Hathcock, “the queen hellcat of north Mississippi”; with J.K. Vardaman, the good-old-boy governor who’s never met a graft he wouldn’t latch onto; and with the Watchmen, a militia looking to boost their stockpile of weapons. Tanner’s deputies harass Quinn’s kid sister, Caddy, and go even further with activist Hector Herrera. The ongoing battle is complicated this time by the release of Donnie Varner from the prison where he’s served eight years for dealing guns. Readers waiting to see whether he’ll renew his friendship with Quinn, find romance with his old flame Caddy, or end up brokering a massive arms deal for the Watchmen will be treated to another bracing immersion in Tibbehah County’s teeming criminal culture, whose opportunistic alliances between bad guys and the lawmen sworn to protect them would be outrageous if they weren’t utterly routine.
Perfect reading for socially distanced shut-ins who’ll be pleased to learn that things could indeed be much, much worse.Pub Date: July 14, 2020
ISBN: 978-0-525-53949-0
Page Count: 400
Publisher: Putnam
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Another gem from Lippman, with a heroine who elevates being ordinary to an art form.
An ordinary woman finds extraordinary adventures on a river cruise on the Seine.
Muriel Blossom acknowledges that she’s a “no-frills” person, a trait that served her well when doing surveillance for Baltimore PI Tess Monaghan. When she gets an unexpected upgrade on her British Airways flight to Paris, she finds herself not only in business class, but on the other side of the looking glass. Allan Turner, a handsome stranger, befriends her in the Chesapeake Lounge, which her upgrade allows her to access. She misses her connection at Heathrow because of the weather, so he invites her to share his luxurious suite in a London hotel, paid for, he insists, by his firm. Then he sends her off on the Eurostar train to reach Paris via the Chunnel in time for her ship’s departure. Once in Paris, she meets another stranger, younger but equally attentive. Danny Johnson takes her to a friend’s atelier in the Marais where the plus-sized Muriel can find the fashionable clothing she deserves. A mysterious man in a bellman uniform knocks on her hotel-room door and invites her to leave her luggage in the hallway so it can be transferred overnight to her ship, but of course she realizes that’s nonsense. She also receives the news that Allan died in a fall from his balcony the night after she left London. When Danny turns up on her cruise, she knows something’s off, but she can’t put together the pieces. That’s because Lippman is unrivaled in her ability to lay out clues in a way that makes them seem not only mysterious, but downright surreal. Only at the end does everything fit together so naturally that it all seems blazingly obvious. Like Muriel, who’s patient and sensible to the end, you’ll just have to wait.
Another gem from Lippman, with a heroine who elevates being ordinary to an art form.Pub Date: June 17, 2025
ISBN: 9780062998101
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
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