Not one of Moriarty's best outings.
Relying less on comedy or edginess than in previous novels (Big Little Lies, 2014, etc.), Moriarty explores the social and psychological repercussions of a barbecue in Sydney gone terribly awry.
What happened emerges slowly through glimpses of characters coping—or not coping—weeks after the event intercut with an unfolding chronicle of the actual barbecue day. Both past and present are seen through the eyes of those remembering, who have been affected very differently by the events. Leading up to the barbecue, Erika and her husband, Oliver, accountants whose buttoned-up personalities compensate for miserable upbringings (in Erika’s case by a hoarder and in Oliver’s by alcoholics), have invited Erika’s childhood friend Clementine, a cellist preparing for an important audition, her husband, Sam, and two small children, 2-year-old Ruby and 5-year-old Holly, for afternoon tea and are nervously planning to ask Clementine to donate eggs to help them have a baby. Oliver is understandably upset when Erika accepts a spur-of-the-moment invitation from their wealthy, very sociable neighbor, Vid, to bring everyone over to his backyard for a barbecue. But Clementine, who was instinctively dreading Erika’s tea, jumps at the chance for a lively afternoon with Vid, his sexy wife, Tiffany, and their brainy 10-year-old daughter, Dakota. While Dakota watches the smaller girls, the adults proceed to get mildly sloshed. Then Erika, drunk for the first time in her life, screams, and a child ends up in a life-threatening situation. The suspicion and guilt the adults and even children secretly feel in the aftermath cause rifts and secrets to surface within the three marriages and within Erika and Clementine’s friendship. The setup here is reminiscent of fellow Australian novelist Christos Tsiokas’ The Slap (2008), but while Tsiokas uses a minor incident to propel his corrosive examination of middle-class lives, Moriarty’s characters resolve their issues too neatly and with too much comforting ease.
Not one of Moriarty's best outings.Pub Date: July 26, 2016
ISBN: 978-1-250-06979-5
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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