Though it’s amusing on its own terms, the constant infighting among lowlifes keeps this installment below Atkins’ high...
Quinn Colson, the sheriff of Mississippi’s Tibbehah County, juggles old-school and newfangled gangs while praying that someone will get him to the church on time.
Now that Quinn’s finally looking forward to getting married and acquiring an instant family that includes nurse Maggie Powers and her 7-year-old son, Brandon, he’d love to cut back on the crime-busting. Fate, as usual, has other plans. Heath Pritchard, the incorrigible marijuana grower Quinn’s late uncle and predecessor Hamp Beckett locked up 23 years ago, has just been released, and he’s eager to horn in on his nephews, dirt-track racers Tyler and Cody Pritchard, who’ve been carrying on the family business on their own less obtrusive terms. Heath’s unforgettable way of announcing his return to his nearest and dearest is to tell them that he needs their help disposing of the remains of Ordeen Davis, whom he caught nosing around on the Pritchard spread. Fannie Hathcock wouldn’t have sent Ordeen, her bartender and general factotum at Vienna’s Place, the county’s premier cathouse, over there in the first place if she hadn’t been getting squeezed between the Pritchard boys, who’d been violating a long-standing agreement with her by running way more weed than they could have been raising themselves, and the Dixie Mafia, for whom she’s been laundering money and providing other services for years and who now send a pair of hands-on managers to Vienna’s Place. The only one who’s in a position to do anything about this mess, it seems, is Quinn’s old friend Boom Kimbrough, whom DEA agent Nathalie Wilkins is pressing to go undercover at Sutpen Trucking, still another major player in the drug trade. Will Boom last long enough to serve as Quinn’s best man?
Though it’s amusing on its own terms, the constant infighting among lowlifes keeps this installment below Atkins’ high standard (The Fallen, 2017, etc.). When bad guys are mostly targeting other bad guys, there’s just not that much for good guys to do besides stand aside and watch the carnage.Pub Date: July 17, 2018
ISBN: 978-0-399-57674-4
Page Count: 384
Publisher: Putnam
Review Posted Online: May 28, 2018
Kirkus Reviews Issue: June 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
The plot is absurd, of course, but the book is a definitive pleasure. Prepare to be absorbed—and in more ways than one.
Another Brown (Inferno, 2013, etc.) blockbuster, blending arcana, religion, and skulduggery—sound familiar?—with the latest headlines.
You just have to know that when the first character you meet in a Brown novel is a debonair tech mogul and the second a bony-fingered old bishop, you’ll end up with a clash of ideologies and worldviews. So it is. Edmond Kirsch, once a student of longtime Brown hero Robert Langdon, the Harvard symbologist–turned–action hero, has assembled a massive crowd, virtual and real, in Bilbao to announce he’s discovered something that’s destined to kill off religion and replace it with science. It would be ungallant to reveal just what the discovery is, but suffice it to say that the religious leaders of the world are in a tizzy about it, whereupon one shadowy Knights of Malta type takes it upon himself to put a bloody end to Kirsch’s nascent heresy. Ah, but what if Kirsch had concocted an AI agent so powerful that his own death was just an inconvenience? What if it was time for not just schism, but singularity? Digging into the mystery, Langdon finds a couple of new pals, one of them that computer avatar, and a whole pack of new enemies, who, not content just to keep Kirsch’s discovery under wraps, also frown on the thought that a great many people in the modern world, including some extremely prominent Spaniards, find fascism and Falangism passé and think the reigning liberal pope is a pretty good guy. Yes, Franco is still dead, as are Christopher Hitchens, Julian Jaynes, Jacques Derrida, William Blake, and other cultural figures Brown enlists along the way—and that’s just the beginning of the body count. The old ham-fisted Brown is here in full glory (“In that instant, Langdon realized that perhaps there was a macabre silver lining to Edmond’s horrific murder”; “The vivacious, strong-minded beauty had turned Julián’s world upside down”)—but, for all his defects as a stylist, it can’t be denied that he knows how to spin a yarn, and most satisfyingly.
The plot is absurd, of course, but the book is a definitive pleasure. Prepare to be absorbed—and in more ways than one.Pub Date: Oct. 3, 2017
ISBN: 978-0-385-51423-1
Page Count: 461
Publisher: Doubleday
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK TO SCREEN
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