An uneven romance novel with two compelling, well-matched main characters.

BETTER LATE THAN NEVER

A New Jersey artist and Native American professor reconnect in this second-chance romance.

Mangus “Manny” Chattoche, a New Mexico native and member of the Apache tribe, has taken a position as an architectural history professor at a university in Long Branch, New Jersey. However, there’s more to his cross-country move than professional development. Five years earlier, Manny learned that his college relationship with classmate Carrie resulted in a child. Now that daughter, Emily, is 15 and eager to spend as much time as possible with her father, and Manny sees an opportunity to make up for lost time with both mother and daughter. Meanwhile, Carrie is conflicted. While she’s still wildly attracted to Manny and admires his devotion to their teenager, her Jersey Shore stubbornness kicks in. She questions whether this is too much, too soon. When Manny’s services are retained by local real estate developer Thomas Turner and his daughter, Rachel—whose undergrad crush on Manny hasn’t gone anywhere—the land where they all live and love faces major commercialization that will forever change the loyal community of intellectuals and creatives. Soon, Manny and Carrie find themselves at a crossroads where their homeland, family, and newly reformed romantic bond are all at risk. Austen has created a unique couple in Manny and Carrie. Not only is Manny smart, sensual, and sensitive, he also has strong ties to his family on the reservation in New Mexico. For her part, Carrie is a formidable romance lead who has raised a daughter on her own while making a living as a painter and art teacher. These characters and their history make for rich conflict, to the point where the subplot of Rachel’s personal insecurity and persistent interest in Manny feel clichéd and unnecessary. Also, though a subplot about Emily’s best friend Johnny and his battles in the foster care system is strong, Emily herself often comes off as much younger than her 15 years.

An uneven romance novel with two compelling, well-matched main characters.

Pub Date: Oct. 11, 2020

ISBN: 978-1-73581-980-8

Page Count: 284

Publisher: Emlu Press

Review Posted Online: Dec. 17, 2020

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A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

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HAPPY PLACE

Exes pretend they’re still together for the sake of their friends on their annual summer vacation.

Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.

A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

Pub Date: April 25, 2023

ISBN: 9780593441275

Page Count: 400

Publisher: Berkley

Review Posted Online: Feb. 23, 2023

Kirkus Reviews Issue: March 15, 2023

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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