An uneven romance novel with two compelling, well-matched main characters.
A New Jersey artist and Native American professor reconnect in this second-chance romance.
Mangus “Manny” Chattoche, a New Mexico native and member of the Apache tribe, has taken a position as an architectural history professor at a university in Long Branch, New Jersey. However, there’s more to his cross-country move than professional development. Five years earlier, Manny learned that his college relationship with classmate Carrie resulted in a child. Now that daughter, Emily, is 15 and eager to spend as much time as possible with her father, and Manny sees an opportunity to make up for lost time with both mother and daughter. Meanwhile, Carrie is conflicted. While she’s still wildly attracted to Manny and admires his devotion to their teenager, her Jersey Shore stubbornness kicks in. She questions whether this is too much, too soon. When Manny’s services are retained by local real estate developer Thomas Turner and his daughter, Rachel—whose undergrad crush on Manny hasn’t gone anywhere—the land where they all live and love faces major commercialization that will forever change the loyal community of intellectuals and creatives. Soon, Manny and Carrie find themselves at a crossroads where their homeland, family, and newly reformed romantic bond are all at risk. Austen has created a unique couple in Manny and Carrie. Not only is Manny smart, sensual, and sensitive, he also has strong ties to his family on the reservation in New Mexico. For her part, Carrie is a formidable romance lead who has raised a daughter on her own while making a living as a painter and art teacher. These characters and their history make for rich conflict, to the point where the subplot of Rachel’s personal insecurity and persistent interest in Manny feel clichéd and unnecessary. Also, though a subplot about Emily’s best friend Johnny and his battles in the foster care system is strong, Emily herself often comes off as much younger than her 15 years.
An uneven romance novel with two compelling, well-matched main characters.Pub Date: Oct. 11, 2020
ISBN: 978-1-73581-980-8
Page Count: 284
Publisher: Emlu Press
Review Posted Online: Dec. 17, 2020
Review Program: Kirkus Indie
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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