Dim lights, little city.
Debut about an assistant book editor by a former assistant book editor that isn’t, let’s hope, what current practitioners of the trade mistake for good reading.
Harry’s the low man on the totem pole at Prestige Books (read: Random House, Davies’s former employer). The main focus of Harry’s life is, first, the calendar he’s supposed to be editing, and, second, his girlfriend Evie. Harry’s okay, except for that brief Tony Robbins phase he went through in college and except for the fact that all he can afford for Evie’s birthday is the word “callypigian.” Here, we get to visit his many crazy apartments; we get to listen when he tells us, like a good whistleblower, how starving editors order their own books and resell them to the Strand Bookstore; we hear how editors routinely belittle writers in their “slush” piles; we listen as Harry fantasizes about having Philip Roth blurb one of his books (only after Harry’s book has been promoted—which will never happen); and we watch as he imagines himself, “Like everybody in publishing—or every young person, at least,” as a writer himself, though thankfully he concludes that “Maybe [he’s] not supposed to be a writer.” The main storyline concerns Evie, who loves Harry but dumps him when he slyly sleeps himself laterally through the industry, demeaning Evie’s love even though she’s the Bonnie to his Clyde. Anyway, love is a tiresome idea to Harry—at least until Evie’s gone and then, of course, he has to stalk her until he gets the picture. The rest consists of endless insider jokes and annoying twentysomethings spending a lot of their time talking about nothing and the rest of it lamenting that they haven’t done anything.
Dim lights, little city.Pub Date: Aug. 20, 2002
ISBN: 1-57322-938-5
Page Count: 216
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
BOOK REVIEW
BOOK REVIEW
A superb cautionary tale, and a grim reminder of the continuing cost of ethnic profiling, miscommunication and confrontation.
A young Muslim’s American experience raises his consciousness and shapes his future in this terse, disturbing successor to the London-based Pakistani author’s first novel, Moth Smoke (2000).
It’s presented as a “conversation,” of which we hear only the voice of protagonist Changez, speaking to the unnamed American stranger he encounters in a café in the former’s native city of Lahore. Changez describes in eloquent detail his arrival in America as a scholarship student at Princeton, his academic success and lucrative employment at Underwood Samson, a “valuation firm” that analyzes its clients’ businesses and counsels improvement via trimming expenses and abandoning inefficient practices—i.e., going back to “fundamentals.” Changez’s success story is crowned by his semi-romantic friendship with beautiful, rich classmate Erica, to whom he draws close during a summer vacation in Greece shared by several fellow students. But the idyll is marred by Erica’s distracted love for a former boyfriend who died young and by the events of 9/11, which simultaneously make all “foreigners” objects of suspicion. Changez reacts in a manner sure to exacerbate such suspicions (“I was caught up in the symbolism of it all, the fact that someone had so visibly brought America to her knees”). A visit home to a country virtually under siege, a breakdown that removes the fragile Erica yet further from him and the increasing enmity toward “non-whites” all take their toll: Changez withdraws from his cocoon of career and financial security (“. . . my days of focusing on fundamentals were done”) and exits the country that had promised so much, becoming himself the bearded, vaguely menacing “stranger” who accompanies his increasingly worried listener to the latter’s hotel. The climax builds with masterfully controlled irony and suspense.
A superb cautionary tale, and a grim reminder of the continuing cost of ethnic profiling, miscommunication and confrontation.Pub Date: April 2, 2007
ISBN: 0-15-101304-7
Page Count: 192
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2007
A good beach read, set in a beach town.
A fast-paced novel about the enduring friendship of three young women who spent their summers in Avalon on the Jersey shore before dispersing across the country.
The book opens with Kate, now a lawyer in the girls’ original hometown of Philadelphia. Kate’s fiance, a man she met in law school, breaks up with her the same day she learns she is pregnant with their baby. Then we meet Vanessa, now living in New York City. Vanessa has given up her career as an art dealer in the city to raise her daughter Lucy and is struggling with her husband’s confession that he recently came close to cheating on her. Then we meet Dani, an aspiring novelist who has just lost her job in a bookstore in San Francisco. Dani is still dealing with drug and alcohol addictions and is still looking for Mr. Right. When the three decide to get together and spend the 4th of July holiday back in Avalon, they are each haunted by memories of Kate’s twin brother, Colin, who tragically drowned there eight years earlier when they were all on the cusp of adulthood. Woven into the mystery of Colin’s demise are other issues of childhood that influenced each of the young women. As they look back on the painful past and flirt with future opportunities, the women finally share the secrets they had kept all those years, forgive one another and prepare themselves to move on in positive ways.
A good beach read, set in a beach town.Pub Date: May 21, 2013
ISBN: 978-0-06-220381-6
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK REVIEW
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