Frenetic and clever: does for lonesome security guards what John Welter’s Night of the Avenging Blowfish (1994) did for the...
A high-strung sentry meets his match in this witty comedy about love, possession and the uncertainty of security.
Barring the overly elaborate but forgivable confluence of double-crosses at its gasping finale, Davies’s latest comic novel (Goodbye Lemon, 2006, etc.) succeeds admirably. Our loquacious narrator is Otto Starks, a highly specialized security agent known as a “pulse”—a human sentinel with otherworldly powers of perception honed by years of training and a plethora of pharmacological abuse incurred in the interests of toxin immunity. “To say that we are elite security guards doesn’t quite cover it,” Otto explains. “We are the reason why the Crown Jewels still belong to Great Britain and why warheads haven’t shown up in Iran.” Blessed with the love of struggling art-history professor Charlie Izzo, who thinks he’s a talent scout for the Mets, Starks is circling around a few more high-paying gigs before he plans to slip away with Charlie in tow on an expensive sloop. Putting a monkey wrench in his plans is a preternaturally gifted art thief dubbed the “Rat Burglar,” who revels not only in outmaneuvering the hypersensitive guard, but in leaving him alive each time to suffer the ridicule of his equally quirky comrades. Davies brilliantly imagines the elaborate details of guarding treasures that Otto thinks of merely as “MacGuffins,” from the bantering shorthand of his fraternity of muscle-bound custodians to the action-packed brawls between Starks and opponents armed with dart guns. As the plot intensifies toward a showdown among Otto, his elusive nemesis and a vicious underworld puppeteer named Azar over a stolen cache of misappropriated Iraqi art, Davies’s latest starts to resemble a comic book more than a crime novel. Not that there’s anything wrong with that.
Frenetic and clever: does for lonesome security guards what John Welter’s Night of the Avenging Blowfish (1994) did for the U.S. Secret Service.Pub Date: Aug. 5, 2008
ISBN: 978-1-59448-314-1
Page Count: 240
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
BOOK REVIEW
BOOK REVIEW
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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