A little friendship, a little wit and a little mystery make for a charming debut about two old friends reconciled after starting a cupcakery (a bakery specializing in cupcakes).
Annie Quintana and Julia St. Claire have an unusual relationship. Raised like sisters, there is a gulf between them—Annie’s mother Lucia was nanny and cook to the St. Clair family. The distance between the Pacific Heights carriage house and the mansion may be measured in yards, but as the girls entered high school, it became an impossible distance. Ten years after graduation (which coincided with a prep-school scandal and Lucia’s untimely death), Annie and Julia meet again at a St. Claire fundraiser. Annie, now a talented pastry chef, is catering and surprised to see a subdued Julia, who has quit her job in finance and moved back into the manse to plan her wedding. Annie hasn’t forgiven Julia for her past transgressions, and Julia has conveniently forgotten all about them, which makes for some awkwardness when Julia offers to finance Annie’s cupcake shop. As Julia promises to bow out after her wedding, Annie agrees to a business partnership, but every meeting is colored by her anger and Julia’s nonchalance. What Annie doesn’t know: Julia is depressed, recovering from a serious trauma and unsure if she should marry Wes, who may be too good for her. And what Julia doesn’t know about Annie: she’s dating her high school sweetheart and knows the truth about what Julia did to destroy her reputation. In the meantime, their cupcakery is a grand success—except for the frequent vandalism, notes telling them to get out and a frightening man in a hoodie who is always lurking in the shadows. When the truth is finally revealed, it brings real danger to Julia and Annie, who have finally learned to be the sisters they were meant to be. Despite the sugary title, Donohue has written a sharp little novel featuring the subtle characterizations of two appealingly flawed young women.
Pub Date: March 13, 2012
ISBN: 978-0-06-206928-3
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 1, 2012
Kirkus Reviews Issue: Feb. 15, 2012
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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