After the sudden death of his sister, Shane, an Anishinaabe teen, is left to carry the weight of grief for his family.
His mother is inconsolable. His girlfriend has become clingy. And his secret love, David, keeps him at a distance, as the pair hasn’t quite found a way to co-exist within a reservation community where there are no openly gay couples. Shane is dealt another crushing blow after his sister’s memorial when he discovers that the funding for his college tuition deposit hasn’t been approved by the band. College in Toronto is the one escape that Shane believes will offer him a semblance of a future that might not be forever lost within the cyclical trauma that exists in his community—even though his family sees his leaving the rez to go to college as a betrayal. From the first page, Cree/Métis filmmaker Jones (adapting his award-winning film of the same name) uses a poetic voice to interlace the landscape and the main character as one symbiotic being. Complex, vulnerable emotion is embedded within the specificity of the writing in this dramatic prose debut. Jones avoids clichés of reservation life, humanizing the stories of how his people reconcile the trauma of suicide, missing family members, same-sex relationships, and the isolation of a community left to fend for itself.
A touching story that has been a long time coming for the Indigenous community. (Fiction. 14-18)