Now that James Bond has been turned over to the special-effects department, Quiller’s last testament, more than any sign...



Superspy Quiller’s 19th and final appearance, which sets him against the most evil man in Russia, might have come out of a time capsule.

And in a sense it did, since this yarn, finished shortly before Hall’s death in 1995 and published in the UK the following year, makes its first US appearance only now. The franchise may be showing its age—the old Soviet Union’s back broken, Russia is hanging in the balance between Yeltsin and Zhirinovsky—but Quiller himself is no more world-weary than he was in the adventures that stretched from The Quiller Memorandum (1966) to Quiller Salamander (1994). And his reputation precedes him. Croder, the Chief of Signals who briefs him in-country, knows he’s the only agent with a prayer of bringing down Mafiya kingpin Vasyl Sakkas, who’s been dealing body blows to the nation’s infant free-market economy, in what looks like a suicide mission. When Quiller asks, “What toys will I get?,” he doesn’t mean the custom suits, the Barclay gold card, the Heckler and Koch P7, the million dollars; he’s asking who’ll run him in the field. And the answer comes up trumps: premier field director Ferris will be pulled off another op, and legendary Croder himself will supervise. But as Quiller inches his way toward Sakkas by means of Vishinsky, a midlevel Mafiyosa called the Cobra, and Natalya Anatova, a prima ballerina with the Bolshoi, his handlers begin to back away from the operation, and when they threaten to shut it down, Quiller threatens to go to ground to get the goods, or the drop, on Vasyl Sakkas by himself. If the ending seems a bit abrupt after all the complications, a pair of affecting codas explains why.

Now that James Bond has been turned over to the special-effects department, Quiller’s last testament, more than any sign short of le Carré’s adieux, marks the passing of an era.

Pub Date: Dec. 1, 2003

ISBN: 0-7867-1265-1

Page Count: 256

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 2003

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.


Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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