Nothing new—and more discouraging than most, to boot.
A small child colors instead of drawing.
In this first-person narrator’s opinion, other kids are really good at drawing, but he isn’t. Drawing, here, means being representational and realistic. Young readers will notice immediately that the child’s drawings, which the narrator denigrates, look like their own drawings. Sala’s child-style portrayals of puppies, people, and cars are no less skilled than—and quite similar to—typical children’s work; if this child’s drawings are so bad they shouldn’t be attempted, should readers stop drawing too? Never revisiting this assumption, the child seeks expression with artwork but “without drawing anything.” The child uses various hues and types of line (thick, thin, squiggly, jagged) to portray moods (happy, sad, angry,) and vibes (scary; “something full of life”). However, the premise that conveying mood through color and abstract form requires less sophistication than representational drawing is false. Making a self-portrait, this white protagonist imagines hues that will capture various aspects of personality, including “a messy, dark brown”—unfortunately linking brownness with messiness. The watercolor, pencil, and crayon illustrations cohere less than E.B. Lewis’ in Angela Johnson’s Lily Brown’s Paintings (2007), a better choice about a child-artist, with child style beautifully integrated; to explore a dynamic relationship between color and mood, see Tameka Fryer Brown and Shane W. Evans’ My Cold Plum Lemon Pie Bluesy Mood (2013).
Nothing new—and more discouraging than most, to boot. (Picture book. 3-6)Pub Date: March 21, 2017
ISBN: 978-1-4814-6275-4
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
A sweet, springtime-themed reworking of a beloved tale.
The classic picture book Chicka Chicka Boom Boom (1989) gets a makeover for Easter as the letters of the alphabet locate and decorate eggs.
The mission is simple: “Chicka chicka peek peek. / Everybody seek seek! / Find all the eggs / in the pretty pink tree.” The letters are making their way up the flowering tree in search of the hidden eggs when a “SNEEZE!” scatters everyone and the eggs fall and crack. Luckily, a bunny hops by with a haul of new ones, which the letters then paint and bedazzle, eventually sharing the newly decorated eggs with a group of bunnies. This picture book is a successfully Easter-fied version of the original: The letters go up; the letters fall down. Truly, though, that’s all the preschool crowd needs. Chung’s illustrations are simple and familiar, a direct echo of Chicka Chicka Boom Boom. The letters appear in colorful, bold, block form. The book has few added details, just focal images like the tree and its pink flowers, the colorful eggs, tufts of grass, and some friendly rabbits. The alphabet appears in order (both upper- and lowercase letters) at the book’s open and close. The rhyming text follows the iconic cadence of the source material, making for a worthy read-aloud that will keep little hands turning pages.
A sweet, springtime-themed reworking of a beloved tale. (Picture book. 3-5)Pub Date: Jan. 20, 2026
ISBN: 9781665990646
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
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