A stellar idea for the idea jar, but the result may stay on the shelf.
A child directly addresses readers and potential writers to share one way of getting stories started.
The unidentified student narrator shows off their male teacher’s idea jar, a place where all the kids contribute story ideas on slips of paper, and his words of wisdom: bad story ideas don’t exist; you can write, draw, or recite your tale. In Pilutti’s gouache-and–pen-and-ink illustrations, the slip-filled jar gradually morphs to contain the characters indicated on the papers (“Viking,” “monkey,” “unicorn”): the space robot uses rocket boots to escape the jar; the horseless cowgirl climbs over the rim into a desert landscape. But then the characters start to intrude a bit, giving advice to the diverse class and demanding to shape their stories. And when the idea jar gets tipped over? Watch out! Teachers will certainly welcome the notion of story ideas as living things that need to be written about in order to be happy, and the mix-ups that happen when the ideas escape and interact reflect some of the creative writing already going on in classrooms—for example, each student contributing a single sentence in turn. But unfortunately, Lehrhaupt and Pilutti don’t avoid didacticism, and their audience isn’t clear; the narration reaches for a younger audience than the snarky comments of the characters seem to imply.
A stellar idea for the idea jar, but the result may stay on the shelf. (Picture book. 4-8)Pub Date: Feb. 6, 2018
ISBN: 978-1-4814-5166-6
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Oct. 27, 2017
Kirkus Reviews Issue: Nov. 15, 2017
A delicious triumph over fear of night creatures.
Pippa conquers a fear of the creatures that emerge from her storybooks at night.
Pippa’s “wonderfully wild imagination” can sometimes run “a little TOO wild.” During the day, she wears her “armor” and is a force to be reckoned with. But in bed at night, Pippa worries about “villains and monsters and beasts.” Sharp-toothed and -taloned shadows, dragons, and pirates emerge from her storybooks like genies from a bottle, just to scare her. Pippa flees to her parents’ room only to be brought back time and again. Finally, Pippa decides that she “needs a plan” to “get rid of them once and for all.” She decides to slip a written invitation into every book, and that night, they all come out. She tries subduing them with a lasso, an eye patch, and a sombrero, but she is defeated. Next, she tries “sashes and sequins and bows,” throwing the fashion pieces on the monsters, who…“begin to pose and primp and preen.” After that success, their fashion show becomes a nightly ritual. Clever Pippa’s transformation from scared victim of her own imagination to leader of the monster pack feels fairly sudden, but it’s satisfying nonetheless. The cartoony illustrations effectively use dynamic strokes, shadow, and light to capture action on the page and the feeling of Pippa's fears taking over her real space. Pippa and her parents are brown-skinned with curls of various textures.
A delicious triumph over fear of night creatures. (Picture book. 4-7)Pub Date: Oct. 8, 2019
ISBN: 978-1-5420-9300-2
Page Count: 32
Publisher: Two Lions
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
This beautiful celebration of the importance of family will also spur young readers to reflect on history.
An African American grandfather and grandson take a time-traveling journey through U.S. history in this mystical and heartwarming picture book.
When his grandson announces that he does not want to go to school, Big Papa takes action. Sweeping him up in his time machine (which looks a lot like a 1950s-era automobile), the pair visit Little Rock and Chicago in the ’40s through the ’80s, the places where Big Papa grew to manhood. In recounting his struggles with dangerous jobs and working conditions and his trepidation at marriage and impending fatherhood, Big Papa gives his grandson a lesson in developing bravery while also teaching him the importance of getting an education. Love and reverence for history and family radiate from Bernstorm’s words. Backmatter indicates that the story is inspired by the author’s family, and he couldn’t have penned a more moving testament to their dignity and endurance. Evans’ whimsical, sunny-hued illustrations have a dreamlike quality that nicely maintains balance between the fantasy of time travel and the heaviness of some of the subject matter. This is particularly evident in the vignette set in the Arkansas cotton fields, where a fellow African American tells Big Papa to give up school because “work, that’s all you ever gonna do.”
This beautiful celebration of the importance of family will also spur young readers to reflect on history. (Picture book. 4-8)Pub Date: Jan. 14, 2020
ISBN: 978-0-06-246331-9
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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