A wry, sensitive portrayal of the roiling turbulence of youth in all its messiness.
In this novel, a young man muddles through tragedy and euphoria as he attempts to understand his place in the world.
It’s 1992 and Spencer Mazio has made a mess of things. As he tries to figure out how to wiggle out of his latest bout of trouble, the narrative jumps back to 1988, when he has arrived as a freshman at Yale University. Standing in line to sort out his overdue tuition payments, he meets Jonathon Vandershar III, an heir to a vast fortune who quickly takes Spencer under his wing and introduces him to drugs, booze, and the advantages of owning your own helicopter. Spencer was recruited by Yale to play on the baseball team but suffers from what he calls “the Dread,” a darkness that rears its head as either depression or uncontrollable anger: “The Dread is a shape-shifty thing made of shadow, so I never know what form it will take or what it might do to me.” After starting a brawl on the baseball field during practice, Spencer finds himself in the Yale infirmary, where he meets the idealistic and upbeat John Henry. The two become fast friends, even as Spencer starts an illegal sports gambling ring that threatens his future at Yale and his job offer at Goldman Sachs. As the chapters toggle between the past and present, readers catch a glimpse of both the quiet times and momentous shifts—along with a memorable cast of characters, including Jonathon and John Henry, who slip in and out of Spencer’s life—that help shape the protagonist. From a stay at the Widworth mental hospital and ill-fated affairs to a devastating betrayal and a tragic family history that he can’t bring himself to share, Spencer struggles to find what—and who—will bring him true happiness.
Spencer’s narration of his travails as a young man, veering between hopelessly depressing and delightfully sardonic moments, will likely remind some readers of a 1990s Holden Caulfield (complete with the occasional foul language). Spencer’s observations about those around him can be surprisingly insightful: “A few years ago Town & Country dubbed them American Royalty, but as far as I could tell, the Vandershars were all just completely unreliable.” But that kind of capacity makes it all the more frustrating in the frequent scenes in which he is unable to apply the gift to himself. Still, inability is what makes Spencer such a compelling narrator—his desperate attempt to escape childhood is one that will be familiar to many. The tale’s dialogue flows at an impressive pace, with lightning-quick conversations broken up by enough muted observations by Spencer to slow it all down: “The whole town seemed vertical, rising up from a small yacht-filled harbor into wooded hills, and the buildings were all colored like the sherbets Papa and I used to eat when I was a kid—orange Creamsicle stacked on top of pink lemonade stacked on top of pomegranate sunrise stacked on top of lemon meringue.” Lenain has crafted an emotional, well-balanced novel that ultimately reminds readers that everyone has an engaging story to tell.
A wry, sensitive portrayal of the roiling turbulence of youth in all its messiness.Pub Date: Sept. 4, 2023
ISBN: 9781737700074
Page Count: 328
Publisher: Christmas Lake Press
Review Posted Online: Sept. 26, 2023
Kirkus Reviews Issue: Nov. 15, 2023
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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