by Adam Nevill ‧ RELEASE DATE: July 15, 2014
Nevill's talent for horror resonates ominously in every scene, almost as if the theme from Jaws echoes when a page is turned.
British horror author Nevill (Last Days, 2013, etc.) goes hard-core modern gothic when he sends a fragile woman to a derelict estate filled with bizarre treasures.
Catherine Howard is a "valuer," an antique dealer’s appraiser. She’s been dispatched to Red House, "a perfectly preserved Gothic Revival house" near the English village of Magbar Wood, which she’s doomed to learn is a "mausoleum that honored loss and madness." The house is crammed with the work of M. H. Mason, a recluse who turned taxidermy into art. Mason's dioramas are "a window into hell," each displaying stuffed rats arranged as soldiers mired in the trenches of World War I. More grotesque, there’s a bedroom crammed with part-human, part-animal marionettes. Edith, Mason’s 90-something niece and only survivor, tells Catherine that Mason returned from WWI missing part of his skull and shut himself away, believing all humanity to be "vermin." Catherine’s back story weaves through the tale, "her memories all waiting in Technicolor with an audio track." She was adopted and raised near an abandoned school where disabled children were deposited. Her village was plagued by kidnappings, one being that of her closest friend. That tragedy sent Catherine into an emotional spiral, and brittleness plagued her early adult life, which was troubled by bullies, deceptions and failed romances. Nevill's setting and pacing are dead-on, and minor characters, like stumpy silent Maude, Edith’s housekeeper, are perfectly creepy. At first blush, Catherine believes Red House’s glories will make her professional reputation. Then come revelations of Mason’s wicked homages to The Martyrs of Rod and String, an ancient marionette morality play with a history that includes the public lynching of itinerant entertainers. Add Catherine’s desertion by her latest boyfriend and the appearance of her London nemesis, and the tale slithers toward a surreal denouement that installs new guardians at Red House.
Nevill's talent for horror resonates ominously in every scene, almost as if the theme from Jaws echoes when a page is turned.Pub Date: July 15, 2014
ISBN: 978-1-250-04127-2
Page Count: 352
Publisher: Minotaur
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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