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NO ONE GETS OUT ALIVE

A macabre, otherworldly tale of a young woman "swallowed whole and alive by the horror that refused to be sated."

British author Nevill (House of Small Shadows, 2014, etc.) out-Kings Stephen in this intense tale of séances, houses of ill repute and pervert convicts captured by The Other.

Stephanie Booth is "a minimum wage temp, who couldn’t afford to go to university." She rents a room at 82 Edgehill Rd. in Birmingham—a dwelling once occupied by The Friends of Light spiritualist group and then by the Bennets, a midcentury father/son pair of pimps and murderers. The current landlord, Knacker McGuire, "bloodless face…slit-eyed sneer," gives Stephanie a room which "looked like the scene of a potential suicide following an occupant’s long period of depression, isolation and poverty." But it's Knacker’s cousin, Fergal, "haggard and feral," whose perversions reveal to Stephanie that she resides in a house of horrors, one inhabited by the spirit of Black Maggie, a creature rooted in ancient fertility rites. Stephanie’s an empathetic protagonist, killing her way out of peril, but Nevill’s most vivid character is Knacker, right down to his Brummie ("bovver wiv all vat") accent. Stephanie, free of the Edgehill horror, grows rich on book and film rights, reinventing herself as Amber Hare. However, even after settling in southern England, Stephanie’s nightmarish apparitions convince her that "the poor souls...had followed her from their wretched graves in Edgehill Road." Overwhelmed by "fear, regret, anxiety, hope and despair," Stephanie/Amber learns "the Bennets and Fergal [were] mere tools, homicidal tools…for something that found them useful." Tensions are high, the settings are ominous, and Nevill even offers cogent social observations, such as Stephanie learning that "everything she took for granted…like cooperation and manners and civility and privacy and laws," is lost when notoriety arrives.

A macabre, otherworldly tale of a young woman "swallowed whole and alive by the horror that refused to be sated."

Pub Date: April 28, 2015

ISBN: 978-1-250-04128-9

Page Count: 640

Publisher: St. Martin's

Review Posted Online: Feb. 1, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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