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THE SURVIVORS

A STORY OF WAR, INHERITANCE, AND HEALING

An emotionally powerful multigenerational memoir.

A debut memoir about “the ways the trauma of the Holocaust has reverberated through the generations of [the author’s] family.”

Frankel, a former speechwriter for Barack Obama, focuses first on his maternal grandparents, who not only managed to survive the Nazi death camps, but also thrived, on the surface at least, after their arrival in the United States a few years after the end of World War II. They settled in New Haven, Connecticut, where they ran a jewelry store specializing in watch repair. As the author learned incremental details about their experiences, his respect and adoration for his grandparents only grew. The dominant character in the family chronicle, however, is Frankel’s mother, Ellen, a functional career woman but emotionally unstable individual. Ellen grew up understandably marked by the survival saga of her parents, and Frankel speculates about how being the devoted daughter of Holocaust survivors affected Ellen. “All of the drama, the volatility, hardly seemed Mom’s fault,” he writes. “She was, I knew, at the mercy of her emotions, subject to their fickle swings.” The author also looks inward to determine what his family’s experiences mean for him as a Jew growing up in a less perilous environment. For students of American politics and history, Frankel’s apprenticeship with John F. Kennedy confidant Ted Sorensen and later work for Obama provide welcome relief from the otherwise relentless emotional roller coaster. Frankel’s marriage and fatherhood add further poignancy to the narrative, and his well-delineated portraits of his cousins, aunts, uncles, and their extended families provide helpful context to the dramatic family saga. It’s a unique addition to the literature of personal accounts that keep the memory of the Holocaust alive at a time when it is “getting harder to teach young people about [it] because the most compelling instructors—survivors—are all passing away.”

An emotionally powerful multigenerational memoir.

Pub Date: Oct. 29, 2019

ISBN: 978-0-06-225858-8

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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