Fascinating history, witty Disney references, and a dash of homicide; what more could anyone want? (Fiction. 14 & up)

JUST KILL ME

In his latest novel, Selzer (Play Me Backwards, 2014, etc.) brings together ghost tours, the Oxford English Dictionary, and the pitfalls of online dating in a darkly humorous collision.

Growing up above the family mortuary, white, 18-year-old Megan Henske finds it difficult to relate to anyone unacquainted with death. An undying love of the OED, a penchant for writing freaky Disney villain fan fiction, and an online girlfriend who won’t even send a photo don’t help matters. So when Cyn, a former babysitter, calls with a gig as a guide on a Chicago ghost bus tour, Megan seizes the chance for a change of pace. In no time, she is certain that she has finally found her people, admiring the older white girl for her originality and bonding with Ricardo, a history-loving Latino who is also bi like Megan. Although entranced by her new life as a murdermonger (“one who deals in murder, or in murder stories”), Megan hesitates to help Cyn with her plan to increase ghost sightings by euthanizing elderly volunteers at tour stops, and when a guide from a competing tour company is murdered, Megan has no idea whom she can trust as it becomes clear that she could be next. Selzer has outdone himself with a narrative brimming with delightfully macabre irreverence, mystery, and the growing pains of self-acceptance.

Fascinating history, witty Disney references, and a dash of homicide; what more could anyone want? (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-3494-2

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 14, 2016

Kirkus Reviews Issue: June 1, 2016

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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Black is building a complex mythology; now is a great time to tune in.

THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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