A passion for Holmes lore will lead to appreciation for the depth of background and lesser criminal exploits described in...

H.H. HOLMES

THE TRUE HISTORY OF THE WHITE CITY DEVIL

An attempt to unmask an infamous mass murderer.

In this occasionally thrilling new biography of H.H. Holmes (1861-1896), who received renewed attention in 2003 when Erik Larson published The Devil in the White City, Mysterious Chicago tour guide and author Selzer (Just Kill Me, 2016, etc.) recharacterizes Holmes as a small-time con man who was likely guilty of a series of murders in Chicago. In his introduction, the author makes his argument clear. Holmes, he writes, is said to have killed more than 200 people in his “murder castle,” but he was only actually accused of killing one person at that location. Unfortunately, the author doesn’t make clear from the beginning that he believes Holmes killed many more people, with the other crimes occurring elsewhere. Immediately, Selzer launches into a history of Holmes the con man, and it is only a third of the way into the book that he begins to explore the other murders he suspects Holmes is guilty of committing. Selzer’s attempt to understand Holmes by delving deep into his early history of insurance and mortgage fraud and bigamy is initially intriguing on a psychoanalytical level, but it keeps the later portions of the story, which focus on the murders, from feeling like a natural part of the narrative. The author’s research is unquestionably impressive, and he effectively exposes how the Holmes legend became what it is today based mostly on conjecture and gossip. But for all the new information Selzer brings to light, large chunks of the story are plodding and confusing. Few readers will argue with the author’s assertion that it is the unfounded nature of the legends surrounding him for which Holmes is an intriguing figure, but a combination of disjointed storytelling and unnecessary minutiae slows the pace.

A passion for Holmes lore will lead to appreciation for the depth of background and lesser criminal exploits described in great detail, but the audience will remain limited.

Pub Date: April 4, 2017

ISBN: 978-1-5107-1343-7

Page Count: 400

Publisher: Skyhorse Publishing

Review Posted Online: Feb. 5, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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