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THE DELUGE

THE GREAT WAR, AMERICA AND THE REMAKING OF THE GLOBAL ORDER, 1916-1931

A lucid, first-rate history of the results of a war whose beginning a century ago we are busily commemorating.

A vigorously defended argument that the war to end all wars was really the origin of a new world order and American superpower.

Taking a truly global view of World War I, Tooze (History/Yale Univ.; The Wages of Destruction: The Making and Breaking of the Nazi Economy, 2007, etc.) holds that the conflict was Europe’s undoing in more ways than one. Obviously, it laid the groundwork for the global war to follow, but it also announced the arrival of an America that was able to act unilaterally on the world stage. The huge bloodletting also left the losing, and even some of the victorious, powers politically unstable. The author highlights Hitler, of course, but also Leon Trotsky as representatives of a sweeping change by which the war “opened a new phase of ‘world organization.’ ” What is novel about Tooze’s thesis is that, in this light, Hitler, Mussolini and the military leaders of Imperial Japan saw themselves as rebels against this new world order, which oppressed Germany financially and dismissed Italian and Japanese claims for rewards for their parts in defeating the Central Powers; all resented the notion that the terms of the transition to this new world order were dictated by the upstart United States. Interesting, too, is the author’s interpretation of America’s artful use of soft power, favoring political and economic influence over direct military intervention whenever possible. One negative consequence was Wilson’s negotiation of a “peace without victory” at the end of the war that promoted a subsequent instability made lethal with the worldwide economic collapse a decade later. In discussing what he calls “the fiasco of Wilsonism,” Tooze sometimes drifts into highly technical economic matters such as the mechanics of hyperinflation, but his narrative is gripping—and sobering, since readers well know the tragedies that followed.

A lucid, first-rate history of the results of a war whose beginning a century ago we are busily commemorating.

Pub Date: Nov. 13, 2014

ISBN: 978-0670024926

Page Count: 640

Publisher: Viking

Review Posted Online: Sept. 15, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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THE WOMEN WHO MADE NEW YORK

An eclectic assortment of women make for an entertaining read.

An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.

In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.

An eclectic assortment of women make for an entertaining read.

Pub Date: Oct. 25, 2016

ISBN: 978-1-58005-653-3

Page Count: 304

Publisher: Seal Press

Review Posted Online: Aug. 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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THE PIONEERS

THE HEROIC STORY OF THE SETTLERS WHO BROUGHT THE AMERICAN IDEAL WEST

Vintage McCullough and a book that students of American history will find captivating.

A lively history of the Ohio River region in the years between the Revolution and the Civil War.

McCullough (The American Spirit: Who We Are and What We Stand For, 2015, etc.) isn’t writing about the sodbusters and hardscrabblers of the Far West, the people whom the word “pioneers” evokes, but instead their predecessors of generations past who crossed the Appalachians and settled in the fertile country along and north of the Ohio River. Manasseh Cutler, one of his principal figures, “endowed with boundless intellectual curiosity,” anticipated the movement of his compatriots across the mountains well before the war had ended, advocating for the Northwest Ordinance to secure a region that, in McCullough’s words, “was designed to guarantee what would one day be known as the American way of life”—a place in which slavery was forbidden and public education and religious freedom would be emphasized. “Ohio fever” spread throughout a New England crippled, after the war, by economic depression, but Southerners also moved west, fomenting the conditions that would, at the end of McCullough’s vivid narrative, end in regional war three generations later. Characteristically, the author suggests major historical themes without ever arguing them as such. For example, he acknowledges the iniquities of the slave economy simply by contrasting the conditions along the Ohio between the backwaters of Kentucky and the sprightly city of Cincinnati, speaking through such figures as Charles Dickens. Indeed, his narrative abounds with well-recognized figures in American history—John Quincy Adams, Harriet Beecher Stowe, Johnny Appleseed—while highlighting lesser-known players. His account of Aaron Burr—who conspired to overthrow the government of Mexico (and, later, his own country) after killing Alexander Hamilton, recruiting confederates in the Ohio River country—is alone worth the price of admission. There are many other fine moments, as well, including a brief account of the generosity that one farmer in Marietta, Ohio, showed to his starving neighbors and another charting the fortunes of the early Whigs in opposing the “anti-intellectual attitude of the Andrew Jackson administration.”

Vintage McCullough and a book that students of American history will find captivating.

Pub Date: May 7, 2019

ISBN: 978-1-5011-6868-0

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Aug. 26, 2019

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