by Adam Wilson ‧ RELEASE DATE: Feb. 25, 2014
Bleak First-World angst, delivered with style.
Wilson (Flatscreen, 2012) delivers a 12-story collection detailing the existential struggles of modern youth.
The millennial generation populates nearly every story, beginning with "Soft Thunder" and "The Long In-Between." Disaffected protagonists appear in the first—semislackers in a garage band share the same damaged girl—and in the second, where a young woman follows her female professor to New York City. (This second tale is the only one told from a female perspective, but it’s a distinction difficult to discern; male or female, the collection’s young protagonists always seem mired in an existential swamp.) Nevertheless, Wilson crafts artful literary phrases—"my dreams are on the surface; when I wake I only rise inches" or "music mixing with all the dust and soot in the pipes as it came up through the grates. By the time it reached me, it sounded condensed, congested." The most powerful story is "We Close Our Eyes," narrated by teenage Zach. His mother is dying of cancer; his father seems distant and disinterested; and his younger sister is seduced, then shamed by an illicit sex tape. Around this implosion hovers Father Larry, a priest whose husbandlike attention to Zach’s mother befuddles the boy. "Tell Me" finds supercilious college boys conned by an addict. Wilson’s stories are city stories, many seemingly set in and around Boston, but the title story takes place at a Texas movie location and is narrated by a young film school graduate. Here again, Wilson does yeoman work with characters, from Monica, a young leading lady already seduced by celebrity’s seamier elements, to Felix, hypercrazed writer-producer. The remaining stories—"Sluts at Heart," "America Is Me and Andy," "The Porchies" and "Milligrams"—also speak to millennial agitation at the edge of maturity, where reality is tackled with drugs, alcohol and sardonic contempt.
Bleak First-World angst, delivered with style.Pub Date: Feb. 25, 2014
ISBN: 978-0-06-228478-5
Page Count: 224
Publisher: Perennial/HarperCollins
Review Posted Online: Jan. 21, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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