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BORN TO BE BOUND

An ambitious, if sometimes-flummoxing, dystopian offering.

Alpha males and Omega women clash in this erotic fantasy novel about the power dynamics of sex and gender.

It’s a great risk for Omega woman Claire to enter Thólos Citadel, where brutish Alpha males live, but she has no choice. Disguised and ostensibly aided by blue pills that she’s been taking that suppress her “heat,” she seeks a man named “the Shepherd,” who may be able to help her; the few Omega women left are starving, and Claire is on a mission to save them. Shepherd rescues her from a dangerous situation, but he’s also quick to take advantage of her sexually, as she’s currently fertile, or “broadcasting a heat cycle.” He then reveals that he wants to enslave the Omega women, not help them. Claire is trapped for weeks before she can escape and get the help of Corday, a Beta male who has more free will than other men. It turns out that something more menacing is planned for the Omegas and that the blue pills that Claire has been taking are not at all what they seem. As tensions rise between the Omegas and the Alphas, more is revealed about Claire’s history. Intense dialogue keeps the story moving, although it’s sometimes muddled by the extensive jargon (“pair-bonded,” “Da’rin markings,” “castoffs”) that populates the novel. There’s no shortage of drama as alliances form and surprising betrayals are revealed. The dynamic between the men and women in this dystopia is a disturbing allegory, and the erotic scenes between Claire and the Shepherd start as sensual and become violent. However, the secondary characters, including the kind Corday and the spirited Nona, one of the Omega women, are ultimately more intriguing than Shepherd and Claire’s tortured relationship. There are apparent attempts to make Shepherd into a more sympathetic character, but readers will likely find it hard to see him as anything more than the brute he is.

An ambitious, if sometimes-flummoxing, dystopian offering.

Pub Date: April 8, 2016

ISBN: 978-1-68259-398-1

Page Count: 248

Publisher: Blushing Books Publications

Review Posted Online: Sept. 3, 2017

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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