A strange and underdeveloped book.
A deeply awkward British woman becomes obsessed with her therapist.
Sylvie, a veterinary nurse in her early 30s, is so deeply uncomfortable in her own skin that she never feels quite sure she’s a person like other people. That inner alienation, along with a bad relationship with a controlling boyfriend she hasn’t fully recovered from, are the reasons she tentatively decides to try therapy. As she explains to the unnamed therapist, “I don’t know…I feel like I shouldn’t be allowed entry, maybe. Like your house is in the world for successful people.” The therapist explains that there is no “successful world” and “unsuccessful world”; there is only one world, and they are both in it. Faith’s debut novel revolves around Sylvie coming to accept that idea. Along the way, she becomes infatuated with the therapist to the extent that she can barely function during the 167 hours each week (she’s counted) she’s not in the office. The obsession revolves not around the therapist’s generic, anodyne insights but around her appearance, upon which Sylvie ruminates continually. In the attempt to figure out “which part of the therapist’s face was driving her crazy,” she creates screenshots of the various features. “She had wanted to work out how small a section of the eyes and the hair could drive her crazy, so she’d zoomed in on these sections, further and further”—at which point she goes into an ecstatic state, “where there is calm and there is certainty and in the certainty there is ecstasy, and for once she is a natural animal, and the world is just as directed, and it is beautiful.” This is the happiest moment in the novel. Meanwhile, Sylvie makes a friend named Chloe who seems to instantly understand her and love her, but this doesn’t have much effect on anything. Similarly, at one point we learn that her mother is dead, but like her brain-damaged dog and her friend Conrad in London, the information sits like a piece of furniture that is rarely used.
A strange and underdeveloped book.Pub Date: May 13, 2025
ISBN: 9780374608668
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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