A lovingly researched, well-rendered portrait that sometimes substitutes praise for analysis of the man and his work.
The life and incendiary times of Palestinian poet Taha Muhammad Ali, a secular Muslim and autodidact who lives in Israel, runs a souvenir shop in Nazareth and has somehow achieved and maintained an ecumenical, humane philosophy.
Ibis Editions founder and editor Hoffman (Houses of Windows: Portraits from a Jerusalem Neighborhood, 2000) met Ali in 1995 with her husband Peter Cole, the poet’s principal English translator. Since then she has pursued his story—not an easy task for an American-born Jew living in Jerusalem who initially knew no Arabic. During the past 13 years, she has learned the language, prowled civilian and military archives, walked the ground and interviewed countless individuals, probing their memories of cataclysmic events occurring more than a half-century ago. The result is not just a biography of a remarkable man, but a focused history of a region. Hoffman realizes the vast importance of displacement in Ali’s story, most significantly during the 1948 war following the United Nations partition. That war resulted in the destruction of the poet’s home village, Saffuriyya, and sent the 17-year-old and his family into temporary exile in Lebanon. There they suffered unspeakably with thousands of other refugees; Ali was separated from his betrothed and did not see her until decades later, when both had married others. His family returned to the land now called Israel in 1949; they were not allowed to go back to the ruins of their village and endured other severe restrictions. Possessing little formal schooling, Ali had an insatiable hunger for books; among his first purchases was a multivolume Arabic dictionary. He was in his 50s when he published his first collection of poems. Charting her subject’s slow rise into a literary career, Hoffman pauses often, occasionally at great length, to expatiate upon the political, military and literary scene.
A lovingly researched, well-rendered portrait that sometimes substitutes praise for analysis of the man and his work.Pub Date: April 1, 2009
ISBN: 978-0-300-14150-4
Page Count: 464
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
