BEN HECHT by Adina Hoffman

BEN HECHT

Fighting Words, Moving Pictures
Email this review

KIRKUS REVIEW

Concise biography of a prominent Hollywood writer who became an outspoken advocate for Jewish causes.

In the Depression era, Ben Hecht (1893-1964) was one of the most famous—and highly paid—Hollywood screenwriters, whose prodigious movie credits include Scarface, Twentieth Century, Spellbound, and Notorious. Essayist and biographer Hoffman (Till We Have Built Jerusalem: Architects of a New City, 2016, etc.) rescues him from historical obscurity in a lively, well-researched addition to the Yale Jewish Lives series. Hecht was the son of Russian immigrants who moved during his childhood from the tenements of New York to Racine, Wisconsin. At 17, he dropped out of the University of Wisconsin and fled to Chicago with no plans except to escape. An uncle finagled a job for him at the Chicago Daily Journal, beginning his career as a reporter that honed his writing skills and inspired his acclaimed 1928 play, The Front Page, co-written with Charles MacArthur. Hecht was a colorful figure in Chicago, consorting with artists and writers who fomented the city’s cultural renaissance and getting his work published in Margaret Anderson’s groundbreaking literary journal, The Little Review. Chicago in the 1920s, one historian remarked, “was the Age of Hecht.” By 1924, he had married, become a father, and left his wife to move, with his lover, to Manhattan, where he dove enthusiastically into the “weeklong benders, wild parties, frantic extramarital coupling,” and heady creativity of Jazz Age America. Hollywood soon beckoned, and Hecht’s “glib wit and knowing insouciance” kept him in demand as a writer and script doctor. Not until 1939, when European anti-Semitism gained international attention, did Hecht embrace his Jewish identity. Although he insisted that “he wasn’t a man of causes,” he made a fervent, vociferous commitment “to the besieged Jews of Europe, to Palestine, and eventually to the state of Israel.” On March 9, 1943, 40,000 people gathered in Madison Square Garden to witness We Will Never Die, a star-studded production—Hecht’s “Jewish passion play”—publicizing the plight of European Jewry.

A cleareyed portrait of an impetuous and multitalented man.

Pub Date: Feb. 12th, 2019
ISBN: 978-0-300-18042-8
Page count: 264pp
Publisher: Yale Univ.
Review Posted Online:
Kirkus Reviews Issue: Nov. 15th, 2018




MORE BY ADINA HOFFMAN

NonfictionSACRED TRASH by Adina Hoffman
by Adina Hoffman

SIMILAR BOOKS SUGGESTED BY OUR CRITICS:

NonfictionA RACE AGAINST DEATH by David S. Wyman
by David S. Wyman
NonfictionHITLER IN LOS ANGELES by Steven J. Ross
by Steven J. Ross
NonfictionSHOWMAN by David Thomson
by David Thomson