These stories provide plenty of revelation on the nature of the war and the soldiers who continue to fight it.
An anthology of stories covering a literary terrain as expansive as the seemingly endless "war on terror" that spawned it.
The most remarkable aspect of this collection of stories written by veterans of the “Forever War” (as the subtitle has it) is that it exists at all. In the past, there has been a lag between the experience of war and the fiction it inspired. The war on terror continues, and a number of veterans of the fighting in Afghanistan and Iraq have become accomplished storytellers, as this anthology attests. The stories address pretty much every aspect of a soldier’s life, from the last drink before service starts to the families left behind to the thrill and tragedy of the killing to the humanity of the enemy to the period of adjustment that finds the soldier still living in that world of combat while attempting to negotiate some sort of return to civilian normalcy. With over two dozen stories, each by a different writer, the style and quality necessarily vary. Perhaps the most audacious achievement is Matthew J. Hefti’s “We Put a Man in a Tree,” narrated in the first-person plural by a group of ghosts who won’t let a troubled veteran’s memories rest and who hound him into suicide: “We swallow families, and we eat lives, and we crush dreams, and we eat the fire that lived in the stomachs of our youth; because for those things to live, we need answers. But no one of us has the answers. We have only the questions.” A female perspective is more strongly represented here than in much war fiction, with five of the stories written by women. In “Little,” Teresa Fazio shows a great command of voice as she describes a tentative romance between her female narrator and an unlikely lover, neither of whom conforms to the stereotypes that soldiers themselves perpetuate.
These stories provide plenty of revelation on the nature of the war and the soldiers who continue to fight it.Pub Date: Jan. 17, 2017
ISBN: 978-1-68177-307-0
Page Count: 368
Publisher: Pegasus
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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