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SPELLS FOR FORGETTING

Hovers awkwardly between YA fantasy/romance and magical realism for grown-ups.

Debut adult novel from the bestselling author of The Last Legacy (2021) and Namesake (2021).

August Salt was 18 when he was accused of murdering his friend Lily Morgan. No longer welcome on Saoirse, the tiny Pacific Northwest island where they lived, he and his mother moved to the mainland, changed their last name, and started a new life. Fourteen years later, his mother’s insistence that her ashes be buried on her ancestral home sends him back to a place he didn’t expect to see again. For most of Saoirse’s residents, his return is unwelcome. For Emery Blackwood, it stirs up feelings she’s spent her whole adult life trying to suppress. An isolated community, an unsolved mystery, long-buried secrets coming to light: This is a classic setup for psychological suspense or gothic horror, and this story offers a bit of both. But it also offers a little something extra: The women of Saoirse are witches. Young has written several young adult novels full of invention, adventure, and sorcery. By the end of this novel, though, it’s hard to escape the conclusion that she decided writing for grown-ups means combining a dour, lifeless tone with a plot that barely moves. And there’s something almost perverse about a narrative with a witch protagonist being so miserly with magic. The central tensions driving the story are pretty simple. Neither Emery nor August has ever recovered from the abrupt end of their youthful romance. Lily’s murderer has never been found. The people of Saoirse are worried that August will try to reclaim the orchard that his grandfather left to the community. Saoirse is a place unlike any other. The most compelling of these—the mystery surrounding Lily’s death, the unique nature of the island—get the least attention. August and Emery only decide to investigate their friend’s murder late in the novel. And, despite every first-person narrator here assuring us that Saoirse is a singular place with its own rules, the island comes across like any other small, insular place that depends on a seasonal tourism industry—sporadic acts of witchcraft notwithstanding.

Hovers awkwardly between YA fantasy/romance and magical realism for grown-ups.

Pub Date: Sept. 27, 2022

ISBN: 978-0-593-35851-1

Page Count: -

Publisher: Delacorte

Review Posted Online: July 7, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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