When a passenger jet crashes near the desolate Texas town of Bounds, tragedy links the lives of victims and townspeople, forcing the citizens of an insular community to confront a world on which most turned their backs long ago. An unnamed, out-of-town newspaper reporter pinpoints the novel's narrative technique while musing on the unreliability of conflicting eyewitness accounts of the crash: ``That's how it always is with one event seen through different windows.'' The windows Mojtabai (Ordinary Time, 1989, etc.) constructs are monologues through which three main witnesses tell their stories in alternating chapters, interrupted occasionally by minor characters. After the reporter, the two other main witnesses are Father Mark, the town's Catholic priest, and Glenna Wooten, the town's postmaster. Their folksy, colloquial speech, meant to be both poetic and sensible, is what we expect from these familiar salt-of-the-earth types (hardy, defiant, proud of their simplicity and bedrock values), and it contributes greatly to the novel's tensionless, conversational feel and to the blurry uniformity of the characters. From the moment the plane crashes, the focus is on the townspeople; the victims—initially, gory corpses and the ghostly walking wounded; later, the survivors and relatives of those who died—seem curiously incidental. The plot's only conflict develops late: To accommodate the flood of survivors and relatives drawn to the crash site, Father Mark keeps the church open night and day. Members of the parish council, upset by the increased cost of utilities, challenge the priest by asking, ``Whose church is this, anyway?'' The question we are meant to ponder is whether a brotherhood of man unites us, whether some larger human connection makes these outsiders neighbors rather than strangers. Mojtabai's fragmented narrative offers no definitive answers, but her writing is occasionally powerful in the dead-on rightness of isolated images and in its evocation of the fascination catastrophe holds. (Author tour)
Pub Date: June 1, 1994
ISBN: 0-385-47430-X
Page Count: 192
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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