Next book

THE HOUSEGUEST

From Granta-award finalist and acclaimed story writer Rossi (Split Skirt, 1994, etc.), a well-orchestrated second novel, consistently probing and upbeat, in which three people get their hearts’ desires by willfully transcending suffering and doubt. The Depression-struck factory town of Paterson, New Jersey, is perhaps an unlikely place to find fulfillment, but that’s where engineer Edward Devlin decides to go in 1934 after burying his young wife, Agnes, in Ireland. He gives their daughter, Maura, into the care of his spinster sisters, since in his wild grief he can think only of leaving everything behind. Paterson for Edward means Fitzgibbon, a successful Irish factory owner who may help him make a fresh start. Sure enough, Fitz welcomes Edward with open arms after hearing his story and soon finds him a good job. But as Edward begins his new life in the home of his benefactor, he slowly discovers that he’s attracted to Fitz’s wife, Sylvia, and that the feeling is mutual. Frustrated by a childless marriage and unsatisfied by charity work, Sylvia has dreamed of a release; she and Edward share a neediness, it seems, that Fitz in all his self-sufficiency could never imagine. The pair’s happiness together is undermined by the burden of their deceit, even after Edward finds his own apartment and they can become lovers at their leisure. But when Fitz—who recognizes the affair as the ticket to his own freedom—begins divorce proceedings, all are well on their way to having exactly what they want. On the periphery of this equation is Maura, who languishes in a convent school back in Ireland but remains unshakeable in her conviction that her father will come to get her. She too is ultimately triumphant. In lesser hands this would be the stuff of melodrama, but here it’s transformed into a story remarkable for its fluidity and grace. A rare accomplishment.

Pub Date: Jan. 3, 2000

ISBN: 0-525-94365-X

Page Count: 304

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Next book

JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

Categories:
Close Quickview