A beautiful and affecting novel, Tolstoyan in its compassion for humanity.
Distinguished fiction by one of Israel’s most prominent novelists.
Appelfeld sets his novel in the early 20th century in the far reaches of the Austrian Empire. Blanca is a promising high-school student, particularly gifted in Latin and mathematics, and she plans to do university study as well, perhaps in Vienna. But when she starts tutoring Adolf, an imposing physical specimen though woefully deficient as a human being, she falls in love, and they decide to marry. Blanca rejects her Jewish heritage and converts to Christianity but quickly finds that Adolf is scarcely the man of her dreams. He’s bad-tempered and churlish and has a particular animus against Jews. Blanca finds herself trying to balance competing family claims when her mother has a lengthy stay at a tuberculosis hospital and her father is confined to an “old people’s home,” largely at Adolf’s insistence, at the young age of 53. Adolf, a drunk, becomes progressively more impossible to live with. The stakes are even higher when Blanca gets pregnant and has a son, Otto, whom Adolf also alternately neglects and mistreats. When Blanca can stand it no more, she takes it on the lam with Otto after committing a brutal crime. Their life becomes a journey both of calm and of fear, especially when she begins to see “wanted” posters cautioning people to be on the lookout for her. Blanca’s journey is not solely geographical, for she also explores the forced rejection of her Jewish roots as she deals with a culture that is virulently anti-Semitic.
A beautiful and affecting novel, Tolstoyan in its compassion for humanity.Pub Date: Oct. 1, 2011
ISBN: 978-0-8052-4179-2
Page Count: 240
Publisher: Schocken
Review Posted Online: Aug. 2, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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