A valuable study of Reed, further cementing his totemic influence as the high priest of art rock.
A biography of legendary rocker Lou Reed (1942-2013).
There is no shortage of biographies testifying to Reed’s importance as the godfather of punk and progenitor of art rock. Even before his death, his place in the rock-’n’-roll pantheon was uncontested as a founding member of the Velvet Underground, and his life had become the subject of mythic archetype for his transgressive lyrics, blend of pop stylings with avant-garde aesthetics, and hard-living lifestyle. Journalist Levy’s narrative of Reed’s life and work—touted as the first since his death—confirms these honors. But the most useful aspect of Levy’s study is his ability to separate Reed the rocker from Reed the person. Reed’s reputation and legacy as one of the pioneers and innovators of rock are unquestioned, but the author also showcases his irascible, confrontational, and often cruel personality, which complicated his cult of personality. Driven by the emergence of bohemian and Beat cultures in the 1950s, Reed devoted himself to a contrarian, anti-bourgeois lifestyle that alienated friends and lovers, sabotaged professional relationships, and fueled a self-destructive lifestyle. Guided by his literary mentor Delmore Schwartz, Reed began his musical career as a songwriter at Pickwick Records, where he began writing one of his early masterpieces, “Heroin.” He also made connections with like-minded musician John Cale and artist Andy Warhol, who formed the artistic core of the Velvet Underground. As frontman, Reed ushered in a new style of cacophonous, uninhibited, and gritty urban realism in songwriting. The details of Reed’s ascendance, fall, and comeback as a solo artist are so vital and culturally significant they read like a Hollywood script, and Levy ably captures it. Few artists, let alone musicians, have had a more fruitful yet tempestuous creative life, the results of which forever changed perceptions of popular music and art.
A valuable study of Reed, further cementing his totemic influence as the high priest of art rock.Pub Date: Oct. 1, 2015
ISBN: 978-1-61373-106-2
Page Count: 416
Publisher: Chicago Review Press
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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