A lightweight but endearing and nimble look at how pursuing absurd extremes can illuminate the more mundane aspects of...

THE GUINEA PIG DIARIES

MY LIFE AS AN EXPERIMENT

Esquire editor at large Jacobs (The Year of Living Biblically, 2007, etc.) continues his unique brand of immersion journalism.

The swift-moving collection holds together well, and though the author cultivates the persona of a nebbish, his style is crisp and often laugh-out-loud funny. He examines his love for organizing his days via archaic or eccentric principles, regardless of the confusion inflicted on friends, acquaintances and his long-suffering wife. “I’ve tried to understand the world by immersing myself in extraordinary circumstances,” he writes, and admits the addictive nature of the process, rather than the results. He capably translates these journeys into wry comedy, although he claims that “making life better in the end” is his secondary goal. Some of the participants in his experiments, however, may disagree, such as his son’s attractive nanny, who afforded Jacobs the opportunity to live the life of a beautiful woman—for which the author rather intrusively managed her Internet dating. Next, Jacobs discovered he could “outsource” every aspect of his daily life to companies based in India, apparently staffed by youthful overachievers who are pleased to take on the responsibilities of lazy Americans while presumably thinking, “How the hell did these idiots ever become a superpower?” After encountering a psychotherapist who advocates the cultish lifestyle of “Radical Honesty,” the author spent a month being compulsively truthful: “I had to do some apologizing post-piece, as you might imagine.” He also lived for a month like George Washington, based on the president’s surprisingly useful list of 110 “Rules of Civility and Decent Behavior in Company and Conversation,” and spent a month being completely subservient to his wife (which she felt was long overdue). Each chapter—some of which previously appeared in Esquire—is followed by a “Coda,” in which Jacobs assesses the experiment and its aftermath.

A lightweight but endearing and nimble look at how pursuing absurd extremes can illuminate the more mundane aspects of contemporary existence.

Pub Date: Sept. 8, 2009

ISBN: 978-1-4165-9906-7

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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