An informed mind and heart, a generous spirit—these are the human qualities that emerge on virtually every page of this...
An eclectic, entertaining and shelf-bending collection of essays, memoirs, introductions, diaries and commentary from the noted English actor, playwright and art-lover.
In his introduction, Bennett (Writing Home, 1995, etc.) alludes to the colon cancer he battled in the late 1990s, and he concludes this massive and moving anthology with an essay about that experience—one of the strongest of many strong pieces. He quips, “Sometimes I felt that more people had seen the inside of my bum than had seen some productions at the National Theatre.” This appealing self-deprecation is a hallmark of Bennett’s prose, including his opening essay, a long piece about a number of his relatives—but with a sharp focus on the mental deterioration of his mother. Bennett also writes about his first awareness that he was gay (including a touching moment with his father, who asks, “You’re not one of them, are you?”). Bennett includes segments from his diary (1996–2004), with comments on the deaths of many of his friends and coevals—among them, John Gielgud, Alec Guinness, John Schlesinger and Alan Bates. He comments, as well, on the death of Princess Di, 9/11, the Iraq War (which he despises). There are a couple of very compelling sections about the plays he’s written (for stage, radio, film and television), and some essays about another of his loves—paintings. (In his diary, he chronicles visits to galleries all over the world.) There’s also an interesting text of a speech in which he identifies four paintings that ought to hang in every English school. Bennett loves the poetry of Philip Larkin, and that poet’s name and words pop up frequently in these pages. Among the best pieces is “Staring Out of the Window,” a brief, lucid essay about writing. Another very strong and troubling essay deals with a physical assault he suffered in 1992.
An informed mind and heart, a generous spirit—these are the human qualities that emerge on virtually every page of this splendid collection.Pub Date: April 7, 2006
ISBN: 0-374-28103-3
Page Count: 560
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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