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NOT MY FATHER'S SON

A MEMOIR

A raw, revealing memoir from a courageous actor and writer.

The award-winning actor uncovers his family's darkest secret.

Instead of writing a showbiz memoir with stories of his eclectic career, Cumming—who has won countless acting awards, including a Tony for his role in Cabaret—anchors his book with his discovery of the truth about his grandfather's premature death (at age 35) and a recognition of the "dual family narrative" of shame and secrecy. He came to understand that both he and his grandfather Tommy Darling suffered combat stress: Darling as a decorated World War II soldier and the author at the hands of his father. Cumming creates visceral scenes of his father's unhinged, irrational anger during his childhood in the Scottish countryside. He details the physical and psychological violence his father mercilessly heaped upon him, including a beating so ferocious he wanted to die, having his hair brutally shorn against his will with rusty clippers used on sheep, and hearing countless times that he was pathetic and useless. Cumming and his brother learned to shut down their emotions and suppress any feelings of joy, lest their vindictive, tyrannical father remove from their lives whatever gave them pleasure. As an adult, he freely expresses the authentic "pixielike" personality he abandoned in childhood, when he couldn't play and enjoy life. He also kept some totems from his childhood, miserable though it was (he even wore his father's sweater in his first headshot!), since he regards them as "a part of my happiness today, because it is a part of me." From discovering the truth about his grandfather's mysterious death to attempting to understand his father's sadistic nature, Cumming explains that it is important to be candid and forthright, that “there is never shame in being open and honest.”

A raw, revealing memoir from a courageous actor and writer.

Pub Date: Oct. 7, 2014

ISBN: 978-0062225061

Page Count: 288

Publisher: It Books/HarperCollins

Review Posted Online: July 26, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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