A first-rate biographical portrait that also deserves accolades for its insights into the minds of adventure-seeking...
A biography of war correspondent Tim Hetherington (1970–2011), who died during a firefight in Libya while documenting the revolution there.
Huffman (Sultana: Surviving the Civil War, Prison, and the Worst Maritime Disaster in American History, 2009, etc.) recounts the career arc of British-born and -educated Hetherington while simultaneously providing insights into the mentality of war photographers during the past century. Hetherington seemed to win trust wherever he traveled and with whomever he collaborated professionally. For the most part, he did not parachute into war zones to shoot potentially prizewinning photographs and then depart quickly. Instead, he remained to document long-term problems as well as personally assist the victims of war. That characteristic became evident most prominently in the West African nation of Liberia, where Hetherington returned year after year to track war criminals and solidify relationships with rebel leaders. To casual observers, Hetherington seemed fearless, but to those who knew him well, he admitted to being frightened in a variety of dangerous situations. In the words of Sebastian Junger, Hetherington was a "bright spirit drawn to dark places." Huffman also chronicles the Hetherington-Junger collaboration on the documentary film Restrepo, which was nominated for an Academy Award. Like so much of Hetherington's other visual projects, Restrepo delved deeply into the relationship between young men and war. Though he could have settled in England or the United States or other relatively peaceful locales after making his mark as an artistic war photographer, Hetherington chose to continue to travel to dangerous locales, worrying his family and friends while also assuaging their concerns with his sunny nature.
A first-rate biographical portrait that also deserves accolades for its insights into the minds of adventure-seeking photographers.Pub Date: March 5, 2013
ISBN: 978-0802120908
Page Count: 256
Publisher: Grove
Review Posted Online: Dec. 15, 2012
Kirkus Reviews Issue: Jan. 1, 2013
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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