Katz and Catrow continue their successful Silly Dilly Songs series with this collection of 15 parodies of familiar Christmas songs. The rewritten songs range from slightly silly to somewhat gross, but most provide the sort of irreverent humor beloved by children in elementary school. Highlights include “Snowball Fight” to the tune of “Jingle Bells,” “At the Malls” to the tune of “Deck the Halls” and “Where Did They Hide My Presents?” to the tune of “Rudolph the Red-Nosed Reindeer.” The entry that seems destined to become a new schoolyard hit is “Something in My Brother’s Underpants,” (don’t ask) to the tune of “Winter Wonderland.” Catrow’s loose watercolor-and-ink illustrations add more humor to each song with splatting snowballs, quirky animals and big-eared kids with funny faces. Brave music teachers might want to try some of these new versions to liven up the annual holiday concert, and some parents might even introduce this as a unique diversion on the long drive over the river and through the woods to Grandmother’s house. (Picture book. 5-9)
Pub Date: Oct. 1, 2005
ISBN: 0-689-86214-8
Page Count: 32
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2005
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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