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TROUBLE IN BAY TOWN

A SONNY KNIGHT ADVENTURE

A lightweight, old-fashioned private-eye series starter with a rather sweet conclusion.

Blank debuts with an old-fashioned detective story featuring gumshoe Sonny Knight.

Sonny’s small office in Bay Town sits “seventeen steps above a shoe store” with no elevator. The Panama-hat–wearing private eye has an indomitable sense of justice but no use for computers; fortunately, his assistant/receptionist Cookie is adept in the latter area. One day, 60-something Hortense Oglethorpinger, cane in hand, crosses his threshold, asking him to look into two strange occurrences: why she’s been fired as the Tuesday night piano player at the Go Fly a Kite bar and grill and why she hasn’t yet received an expected inheritance. Why, Sonny wonders, has Miss Oglethorpinger been paid $100 every Tuesday when it’s an open-mic night at the bar, when nobody else gets paid? Sonny decides to have a chat with his police-detective buddies at the station, where he learns about three women who have disappeared from Bay Town without a trace. The police need his help to track them down, and the possible rescue of three women seems far more interesting than the tribulations of the recently unemployed Miss Oglethorpinger. Sonny’s adventure eventually lands him in the emergency room—twice—and also provides him with a love interest. This first-person narrative is a breezy throwback to older entries in the private-eye genre, and it has a few surprising, albeit improbable, plot twists that keep the action going just when it seems as if it should be wrapping up. Sonny is also a contagiously likable character despite his affected, chauvinist attitude toward Cookie (calling her “Angel” and “Sugar”). He has a sense of bravado, though, that may have some readers rolling their eyes: “When I see a wrong, I want to right it. I have principles that I live by, and I don’t waver from them when it’s convenient to do so.”

A lightweight, old-fashioned private-eye series starter with a rather sweet conclusion.

Pub Date: June 3, 2017

ISBN: 978-1-5466-8505-0

Page Count: 210

Publisher: CreateSpace

Review Posted Online: Aug. 2, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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