A scattershot collection of the outspoken Harvard law professor's ruminations on various topics, which reflects his already extensively documented interest in the state of the federal judiciary, civil liberties, and Israeli and Jewish issues, among other concerns. Dershowitz gathers these opinion pieces (many drawn from his syndicated newspaper column) into five main areas: judges, justice, and courts; freedom of expression and the rise of intolerance; the state, the law, and the rights of individuals; the law and politics of sex, life, and death; and problems related to Judaism and Jewishness, particularly the problem of anti-Semitism at home and abroad. While his title suggests an element of unpredictability, Dershowitz's stance on most issues is consistent and easy to anticipate. He is a civil libertarian, profoundly protective of the rights of the individual against the interests of the state, a champion of freedom of expression, and a man proud of his Jewish heritage and abhorred by manifestations of anti-Semitism. Though few readers will disagree with these principles, when Dershowitz- -who delights in his role as a gadfly—applies them to specific issues, he draws conclusions and expresses compellingly argued opinions that will make some uncomfortable. He condemns the New York bar's discipline of D.A. Liz Holtzman for publicly criticizing a judge; argues that a Massachusetts law prohibiting child pornography is too broad and should be struck down; condemns the ``speech codes'' on college campuses that prohibit racist, sexist, and homophobic expressions; and suggests that Americans should not invest in anti-Semitic, though newly democratic, Poland. Vintage Dershowitz: trenchant opinions designed to stimulate— and infuriate.

Pub Date: Oct. 14, 1992

ISBN: 0-88687-701-6

Page Count: 400

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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