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THE TRIALS OF ZION

A solid display of Dershowitz’s legal chops, if not always his narrative ones.

The fictional alter ego for famed lawyer Dershowitz (The Case for Moral Clarity, 2009, etc.) takes on the Israeli-Palestinian conflict in this busy, sometimes preposterous thriller.

The third novel starring Dershowitz-like defense attorney Abe Ringel opens with a jaw-dropping terrorist act: The U.S. president, Israeli prime minister and Hamas leader are all killed by a bomb at a public ceremony intended to commemorate the creation of a Palestinian state. With any hope of Middle East peace literally blown apart, Abe is understandably anxious about his daughter, Emma, who’s moved from Boston to Jerusalem to work for a human-rights group. His worries are quickly justified: Not long after her arrival, she’s kidnapped by pro-Palestinian Marxists led by a man whose brother, Faisal, is being held on suspicion of planting the bomb. To save his daughter from execution, Abe must successfully defend Faisal in an Israeli court without letting on that he’s being blackmailed. The novel’s courtroom scenes give Dershowitz an opportunity to wax legalistic on the differences between the American and Israeli judicial process, and there are occasional glimpses into forensics labs, terrorist safe houses and interrogation rooms. But the author’s interests are more broadly sociological: He wants to make clear how difficult it is to detect true intentions among the region’s Jews, Muslims, Communists and Christians. (Double-crosses are abundant.) The author’s style is clean and forceful, built on tight, clipped paragraphs, but his handling of the broad cast of characters isn’t always graceful; a sudden appearance of a key bit of evidence seems overly convenient, and a serious predicament for Emma is explained away with little drama. Though the novel opens with thoughtful considerations of the Middle East conflict that shed light on why it’s so intractable, Dershowitz is ultimately compelled to keep the story moving, which leads to a climax that not only feels slightly cartoonish but sidesteps addressing the divide between Israelis and Palestinians. Chapters that delve into family back stories are mainly distracting, and a thin romantic subplot only proves that love stories aren’t the author’s bailiwick.

A solid display of Dershowitz’s legal chops, if not always his narrative ones.

Pub Date: Oct. 1, 2010

ISBN: 978-0-446-57673-4

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Aug. 2, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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