A mixed bag with a misshapen boulder in it.
The first short story collection from the author of several iconic graphic novels and comic-book series.
When a comic-book writer switches to prose only, they might have trouble conjuring the fleshed-out descriptions usually provided by pictures. But Moore, creator of such legendary graphic works as Watchmen and V for Vendetta, has never had this problem. His works typically include several picture-light text extracts, and if Moore’s debut novel—the sprawling Jerusalem (2016)—is anything to go by, the difficulty is getting him to stop his flow of words. One might hope, then, that the restrictive length of a short story would provide some necessary structure. This collection definitely includes some tight, clever, and vivid entries, including “Not Even Legend,” about a cabal of mythological creatures prepared to go to any lengths to ensure that ordinary humans never get a hint of their existence; “Hypothetical Lizard,” which chronicles a brothel worker’s nasty revenge on his former lover; “Location, Location, Location,” concerning a real estate agent officially signing over a house to Jesus after the Rapture; and “And, at the Last, Just To Be Done With Silence,” a creepy tale of madness-inducing penance in the late 12th century. The title story, in which a man longs to recapture his youth, and “Cold Reading,” which features a successful fake medium who learns the perils of disbelief, have an entertaining if slightly derivative Twilight Zone vibe. But Moore goes off the rails with “What We Can Know About Thunderman,” the book's longest work, taking up fully half the pages. It’s a self-indulgently savage lampoon of the comic-book industry, wandering over several decades, taking the occasional clever potshot, very occasionally affirming the way that comic books and comic-book conventions can bring lonely nerds together, and frequently veering into the grotesque, petty, and bizarre. The story never has any clear destination other than to suggest that the industry is a cesspool that’s impossible to escape in any clean way. The well-informed reader will infer that Moore is still extremely angry at DC for a number of intellectual property issues, remains upset with the way Warner Brothers adapted his works for film, and isn’t exactly happy with Marvel, either.
A mixed bag with a misshapen boulder in it.Pub Date: Oct. 11, 2022
ISBN: 978-1-63557-880-5
Page Count: 464
Publisher: Bloomsbury
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
SEEN & HEARD
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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